Hong Kong Asian Film Festival

One phone call, three long takes, connect three seemingly unrelated people, offering a glimpse into the daily lives of urban Hongkongers.

Ah Fung is a primary school girl who cannot let go because the old housing estate is about to be demolished. Then she meets a new friend in this disappearing place.

Between illusion and reality, a schizophrenia patient falls into a suspenseful forbidden love.

Golden Horse Award winner Chen Xiangqi ╳ Golden Horse Award winner Chen Yiwen's wonderful acting showdown

Arum, the director, delves into her parents' integral roles in shaping Korea's democratization, using their family history as a lens to examine the broader political landscape of the country. Through this journey, she reflects on her generation's role in the social movement.

Opening film of the 60th Golden Horse Awards. Produced by Hou Hsiao-Hsien.

From a nostalgic wanderer to a literary master, poet Zheng Chou-yu reflects on a lifetime of words shaped by exile, longing, and refinement. His verse evolved from youthful melancholy to a mature brilliance that shaped modern Chinese poetry like no other.

Yu Guang-zhong (1928- ) He immerses himself both in Chinese and western literary materials. His poems are emphasized with musicality, whereas his prose is rich in humor and knowledge.

Lin Hai-yin (1918-2001) stood firmly against the political oppression when she was the editor of the literary page of the United Daily News.

After receiving a call from her late fiance, an unknown force starts to disturb Xiaoxue's normal life.

A rare pod of futuristic houses lines a semi-abandoned neighbourhood outside Taipei. UFO Houses manifests a utopian vision of the past: the future is light, colourful, and sentimental.

A big white tent appears on the Huashan grassland. Is this an artist's utopia or a disordered alien land?

Lin Hai-yin (1918-2001) stood firmly against the political oppression when she was the editor of the literary page of the United Daily News.

Yu Guang-zhong (1928- ) He immerses himself both in Chinese and western literary materials. His poems are emphasized with musicality, whereas his prose is rich in humor and knowledge.

鄭愁予（1933-），成名甚早，〈錯誤〉、〈賦別〉等作數十年來傳誦不衰。2005年落籍金門，是金門一大盛事。早期詩作因為心懷故土，家國之情與流放意識濃厚。70年代以後，流浪情懷不復，語言節奏感逐漸放鬆。近三十年來鄭愁予詩以文人情懷與現實餘裕為基礎，想像與體悟翻上一層，顯示一種他人難以模仿的情調，雖無早期的浪漫詠嘆，卻更為顯示技巧的爐火純青。