1977
.jpg&w=3840&q=75)
雖然那時候還沒看過《達格雷街風景》，但我也知道這就是《艾格妮撿風景》當中華達的住所。帶著一點好奇心，我從巴黎地下墓穴散步過去。路往西北的丘陵延伸上去，旁邊有著許多小小的商家，行人稀稀落落，看不到什麼遊客。當時的我其實有點失望，覺得這不就是一條沒什麼的普通巴黎小街，為什麼華達願意幫這個地方拍一部片呢？《達格雷街風景》回答了我的疑惑。
Since its founding in 1998, the Taipei Film Festival has become one of Taiwan’s most prominent film events. In addition to the Taipei Film Awards, which honor outstanding local filmmakers, the festival also features spotlight programs, curated showcases, and an international competition for emerging directors—inviting audiences to discover new voices and revisit cinematic classics from around the world. Giloo presents a special selection of award-winning and officially screened titles from past editions of the Taipei Film Festival. Whether you’re revisiting a favorite or discovering something new, we invite you to enjoy the cinematic surprises this collection has to offer.
“I live by my own standards—not by men’s.” She was a director, a cinematographer, a poet, an installation artist, a key figure of the French New Wave. She was a woman. She filmed her muses, scavengers, drifters, distant uncles, lost lovers—and herself. She wandered through the Left Bank of Paris, strolled down Rue Daguerre, flew to San Francisco and Cuba, and eventually returned to the beach she loved most. She was Agnès Varda. This August, Giloo presents 14 handpicked works by Varda—black and white, color, documentary, fiction, film stock, and DV. Two years after her farewell, we invite you to once again meet her—at her sharpest, and her kindest.