Taipei Film Festival
最佳紀錄片|最佳攝影|最佳剪輯

最佳紀錄片|最佳攝影|最佳剪輯
想起高中讀到 瘂弦 《如歌的行板》, 少年強說愁地模仿 寫起XX的必要, 事過境遷,現在早該認知: 君非海明威此一起碼認識之必要。
26:22 現代詩短札 /former 如歌的行板 鹽 乞丐
被譽為「台灣現代詩的啟蒙者」的詩人瘂弦,於近日辭世,享壽92歲。 除了以《瘂弦詩集》享譽文壇外,他與張默、洛夫共同出版《創世紀》詩刊,三人被稱為詩壇「鐵三角」,對台灣現代詩的發展有著深遠的影響。 瘂弦曾擔任聯合報副刊主編超過二十年,也培育了三毛、林懷民、席慕蓉、蔣勳等後進,堪稱文壇的「伯樂」。
瘂弦(1932年8月29日—2024年10月11日) https://udn.com/news/story/7314/8287112
瘂弦辭世 吳晟泣不成聲:若沒有他 我可能不會繼續創作 | 聯合新聞網26:41 詩是鳳爪,中間沒蹼,要你去聯繫 整個的趣味在乎聯繫 每一個人的成長條件不一樣 內在精神活動不一樣 這個階段心情不一樣 所以聯繫的結果也不一樣 詩是表現性大於說明性 散文是說明性大於表現性 所以詩可以一讀再讀 每次的聯繫都不一樣
25:36 詩,有時比生活美好,有時比生活不幸 在我,大半的情形是屬於後者 而詩人的全部工作 似乎就在於收集自己的不幸身上 當自己真實的感覺自己的不幸 緊緊地握著自己的不幸 於是,便得到了存在 存在竟也成了一種喜悅

對一般讀者來說,今日看到這三個條目,不免會感受到相當地陌生與格格不入的時代感。然而在當時,1954年成立的創世紀詩社,不免與今日的形象不同,在當時政府肅殺的口號中——「一年準備,二年反攻,三年掃蕩,五年成功」——創立時很快就跟著腳步踏上了臺灣內部的主旋律。1955年1月蔣介石提出「戰鬥文藝」並在隔年在國⋯⋯
The documentary seeks to use film as a medium to preserve and share the lives and legacies of prominent Chinese-language writers. Guided by each director’s unique cinematic language, these films transform literary masters into cinematic texts—introducing their voices to new generations of readers. The project goes beyond archival preservation. It aims to reveal how these authors and their works continue to move and inspire, carrying powerful resonance through the shifting tides of history—ultimately becoming a literary and cultural heritage for future generations.

What is Taiwan? What does Taiwan have? Our imagination of Taiwan’s future depends on how we choose to read Taiwan. The Taiwanese documentaries selected by Giloo aim to offer a multifaceted and in-depth perspective—allowing us to empathize with the struggles and efforts of the Taiwanese people, uncover the richness of this land, confront its challenges, and analyze the issues that shape life on this island.

Why do we write? When words erupt from the mind and pour into the heart, images and monologues take the place of daily tedium—of the mundane, the irritating, the unbearable. For some writers, however, writing is more than expression; it is salvation. It is an unshakable calling. In this themed selection on literature, Giloo presents documentaries that delve into the lives and inner worlds of writers—poets, novelists, critics—who wield pens (or typewriters) like swords, fearlessly confronting the truths of the world. The passage of time leaves behind not just pages, but marks of introspection—quiet yet undeniable badges of their creative journey.
Margaret Atwood carried The Handmaid’s Tale from Canada to the world. Yu Xiuhua, a woman with cerebral palsy from rural Hubei, moved the Chinese-speaking world with a single poem. In the 1930s, Ong Naô journeyed from Taiwan to Tokyo for his studies and left behind Before the Dawn. Giloo Documentary and ChiuKo Publishing present a curated selection of literary documentaries. Let the words of these writers take you elsewhere.