Kaohsiung Film Festival
國際短片競賽台灣學生獎

國際短片競賽台灣學生獎
對這部片還蠻有共感的,畢竟以前也在淡水待了五六年,看著淡水新市鎮從一 片荒蕪到變成另一種高樓林立的荒蕪⋯⋯紀錄片裡主角是一個平凡到不能再平凡的小人物,他以前會在淡水街頭塗鴉各種稱不上可愛的咪咪貓,而有時紀錄片紀錄的往往並不是主角本身。 被攝者的職業是一位瓦斯工人,看片時偶然發現瓦斯桶互相敲擊的金屬敲擊聲還蠻好聽的,所以片中的音樂就找了各種不同取樣的金屬聲轉化成旋律融入音景。短短 25 分鐘的紀錄片要記錄一個人的人生有點困難,而人生最戲劇化的時候往往就是當生命走到盡頭的那刻,而地景的消亡也是。
如果對林容生的生命歷程想多認識的朋朋,分享咪咪貓的粉絲專頁歡迎大家點進去,發現咪咪貓的蹤跡,也更認識這位令人敬佩的創作者
登录 Facebook咪咪貓就是林容生的化身,在淡水的各個電線桿上、街角,店內某處,不經意的一瞥看見黃黃的貓咪身影,守護著這個正要被改頭換面的市鎮。 然而在這個腳步過快的改變之下,一切純樸、單純、良善的,是否注定會被拋棄及遺忘?
13:29 【病識感的重要性】 「人生很多看不到火的火災」或許可以直接對應在林容生的生命歷程之中,身體的傷痛,其痊癒抑或流血至少還是可見的。然而在心理受的傷,其估量的程度卻是困難的,甚或至連自身都不易覺察。
1:26 【英文片名的小彩蛋】 英文片名叫《A Cat May Look at a King》其實是個有趣的諺語,字面上的意思是「貓咪也可以注視國王」,而其可解釋為「人人平等、人人皆可為堯舜」之意。覺得十分呼應導演想要呈現給大家看到的林容生。
【漫步在城市的小風景】 城市中幽默的小塗鴉,很像是生活中的小彩蛋,也想分享個喜歡的塗鴉創作者「大腸王」。
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A sharp, compact poem often speaks louder than a lengthy speech! Giloo presents a curated collection of small but powerful documentaries—short films that, within a limited runtime, deliver layered, resonant stories. Experience the elegance of cinematic brevity, and see how precision in visual storytelling can leave a lasting impression.

In today’s society, where everything is measured by “efficiency,” the value and effectiveness of “art” and “making art” are constantly questioned. The themed selection What Art Can Do reveals that the act of creating art defies quantifiable KPIs. Artistic creation can withstand the challenges of value-driven thinking—if we are willing to rethink what “value” truly means. After all, every interpretation of value begins with humanity.
Unheard wishes. Unanswered cries. “Who cares? We’re just the ones left behind.” In the margins of society, lives unfold far from the spotlight. This is an invitation—not to save, but to witness. To step into the shadows, and truly see.
Men and women who leave their hometowns to make a living in Kabukicho, a surreal life that unfolds after a same-sex wedding, Amis people fishing for baby eels in the depths of night, a band using music to challenge the system… Through innovative short documentaries, filmmakers capture vivid portraits of people and moments in contemporary society. Join Giloo in diving into the heart of these issues, broadening your perspective, and exploring the rich diversity of today’s world.
Being marginal is a stance; minority is inherently political. There are fictional representations that peddle a loser's vibe, and there are intimate body memories that commemorate secrets others aren't really that interested in knowing. There’s nothing wrong with flaunting language without trying to “say something.” Anyway, we all interpret ourselves through images, or reclaim the interpretive power that has been stolen by reels.