1964
在這性別比例嚴重失衡的產業中，仍有許多女性工作者突破重圍，在一眾男性的舞台上站穩腳步。Giloo 精選 7 位女性導演作品，帶領觀眾領略只屬於她們的電影風貌。或許，也是時候摘掉「女導演」的頭銜——她們是優秀且當之無愧的導演。
Film is one of the fastest ways to get to know a country. In just an hour or so, a movie can take you through its streets, speak its language, and tell its stories from the inside out. Don’t worry—we’re not here to dive into complex geopolitical debates. In this film program, you’ll meet a wild rock band raising chaos in North Korea, a group of Danish men who really love to drink, and witness the everyday madness of the Russian “warrior people” through dashcam footage. These films don’t aim to explain entire nations. Instead, they focus on the little things—the strange, funny, messy bits of daily life. And isn’t it exactly these small moments that, together, make up the kaleidoscope of a country?
“I live by my own standards—not by men’s.” She was a director, a cinematographer, a poet, an installation artist, a key figure of the French New Wave. She was a woman. She filmed her muses, scavengers, drifters, distant uncles, lost lovers—and herself. She wandered through the Left Bank of Paris, strolled down Rue Daguerre, flew to San Francisco and Cuba, and eventually returned to the beach she loved most. She was Agnès Varda. This August, Giloo presents 14 handpicked works by Varda—black and white, color, documentary, fiction, film stock, and DV. Two years after her farewell, we invite you to once again meet her—at her sharpest, and her kindest.
When dazzling colors fill the screen, black and white becomes strikingly radiant.