2020
Golden Horse Awards
最佳短片提名
最佳短片提名
最佳電視電影
金火球大獎
台灣獎
入圍
by.微光盒子 倡議部部長 饅頭 本片從同一房的視角讓我們窺見青少年在少觀所的日常，也引領我們慢慢走進他們的故事。雖然許多部分僅是點到為止並未有深刻的描摹，卻也是這些引子成為值得深入探討的部分。進入到少觀所的孩子就是壞嗎？還是他們也是社會結構下的代罪羔羊？少觀所作為少年保護機構，應該如何發揮更高的輔導、關懷成效？還是只是成為變相的少年監獄？沒有被好好接住的青少年，如果再一次被漏接，離開少觀所的下一站等待他們的可能不是理想中的美好人生，更多的是與現實相互呼應的社會悲歌……。
by.微光盒子 營運部部長 微微 影片講述在少觀所同個寢室的三個少年所發生的故事,影片中並未對三位有過多的解釋,但可以從互動中慢慢地了解三人的背景,然而在最後,短而衝擊的結局,也讓人不勝唏噓。透過影片能一窺少觀所的情況,什麼樣的人會進入?裡面的生態如何?等等也是間接地去引發想要了解少年犯罪者的犯罪動機,讓人想要在觀影之後對於社會議題有更進一步的探尋。
by.微光盒子 兒少部部長 阿嬤 再見主管刻畫著現今少年犯們的縮影，在少觀所的生活，似乎也看見了少年們的未來……倘若少年們沒有陪伴與支持，可能會重複一樣的循環，發生像劇中角色們的悲劇，這是社會的縮影也是每天在我們身邊發生的故事，也讓我們省思，怎麼樣能真正打造社會安全網，才能接住這群不斷掉落的少年呢？
by.微光盒子倡議部 小鄧 看著少年們因著各種的原因來到了少觀所，從適應到與彼此建立關係，卻又因著現實的因素而被拆散。雖然不知曉這群少年太詳細的過去，但會看見的好像是少年們不斷地在轉換環境，從不適應社會到了少觀所，再從少觀所轉到別的少觀所，在這些轉換之中，少年們不僅失去心的歸屬，更可能不斷下墜，直到生命隕落。 - 【關於微光盒子】 耕耘於台北文山地區的兒少團體，主要陪伴對象為安康平宅的孩子及家庭。 過往平宅承受著「貧民窟」「治安死角」等污名，微光盒子以遊戲、創作、資源媒合等方式陪伴這裡的人們說自己的故事，散發屬於自己的光芒。
2020年臺灣得獎運最強的短片，橫掃金穗獎、桃園電影獎台灣獎、高雄電影節金火球大獎，本身是短輔、高雄拍雙補助，可能是臺灣罕見靠補助獎金就回本的短片作品。本片由《返校》製作公司影一負責監製，烈姐掛保證，質量之高叫人驚嘆。 《主管再見》故事聚焦三名少觀所的少年，導演林亞佑當年服役很有種選了俗稱「四大金剛」的矯正役，就此啟發田調。事實上，講非行少年或是監獄題材的臺灣作品不算少，《主》片特別在非以警示議題作為題材，而是幽微典雅的人性關懷。三位小演員趨於本色演出呈現少觀所日常，是本片強大亮點，看到一度懷疑他們被關過（誤）最後一顆鏡頭配合廣播新聞的惆悵感，不多不少恰恰好，濃到讓你忘不掉，可以見林亞佑的導演功力。 真要說缺點，我認為《主管再見》太四平八穩，它就你想像中臺灣短片的樣貌，參雜社會議題關懷，講述故事的始末發展。執行度很好，但不會有太多驚奇感。
0:07 對於短片裡新聞聲音或畫面的運用都有點感冒，這也是我對工整成熟的《主管再見》的少數不滿之處，如此簡便的敘事工具其實就代表著這個部分是短片礙於篇幅無法處理的故事，那比起硬塞還不如就不要講。而在《主管再見》中新聞的置入更為致命的原因，是因為本片的優異之處正是描繪了看似僵固的體制結構下可能發展出的幽微互動，以及其帶來改變的可能，而對於劣質刑罰制度下的必然惡性循環，其實已經巧妙地貫穿全片（甚至片名就是在講這件事），無需再往少年身上多補一刀，否則就有點為溫情獻祭的味道了。
0:07 特別喜歡開場這顆鏡頭，狹小的監視窗正好符合寬銀幕比例，當攝影機慢慢拉近使得兩者重疊，我們也真正進入了《主管再見》創作初衷，是將鏡頭對準少年的生命故事，而非議題或立場先行的作品。
21:02 不要說再見，要說保重。——《主管再見》
18:29 #bookmark #spoiler #書籤 #有雷
No matter where you are, not just in Taiwan, international movie fans can easily watch too! The first wave of films from emerging creators are now live in our international section. Featuring top selections from prestigious film festivals like Golden Horse Awards and Golden Harvest Awards, as well as many highly anticipated emerging works for you to explore anytime, anywhere!
Great stories don’t need to be long! Giloo presents a collection of short films by Taiwan’s emerging directors—bold, raw, and refreshingly innovative.Whether it’s a twist that lingers long after, or a punchy idea that flips your expectations, each film packs a powerful punch in under 30 minutes. Join Giloo on a crisp, exhilarating viewing journey—where every frame counts, and nothing is ordinary.
A good story doesn’t need to be long! Giloo presents nine short films by emerging Taiwanese directors, delivering bold and punchy cinematic language that challenges everything you thought you knew about film.
Giloo presents award-winning festival favorites, buzzworthy films, and thought-provoking documentaries, bringing together diverse themes and compelling stories. Step into the Spotlight Screening selection and discover films that have captured attention, sparked discussion, and are well worth revisiting.
Founded in 2012, the Kaohsiung Shorts grant program aims to establish Kaohsiung as Taiwan’s hub for short film production. The initiative encourages creators to break boundaries and clichés, unleash their creativity, and express local cultural identity through film. To date, the program has supported the production of over 100 short films, making it one of the most prominent and closely followed short film initiatives in Taiwan. This selection features 20 Kaohsiung Shorts completed between 2019 and 2021, spanning narrative, animation, and experimental genres. With a wide range of themes and distinct storytelling styles, these works showcase the rich creative energy of contemporary Taiwanese short filmmaking.
In the cracks along the city’s edge, a hippie loses their way, while a stray dog watches humankind. A boy bids farewell to confinement and walks into the sea. There are no parties on the prairie—everywhere feels the same.
Being misunderstood leaves wounds in people's hearts; sometimes these misunderstandings are cleared, while other times they heal with time. But to be misunderstood by the state, to be wrongfully convicted by the judiciary, means not only losing freedom and time but also all the myriad possibilities of embarking on different life paths. Coinciding with the physical screenings of the 2nd Taiwan Innocence Film Festival "Never" in 2023 (December 7th-10th, Spot Huashan Cinema), Giloo and the Taiwan Innocence Project Association jointly present "Beyond Innocence Online Film Festival." Through eight selected films related to wrongful convictions, justice, and incarceration, we invite you to explore judicial errors and prison life you may have never imagined before.
This annual campaign, centered on amplifying the voices of those with lived experiences of poverty, is themed this year around “Home.” For some, home is a space of safety. For others, it’s wherever their loved ones are. For many, a fixed address is necessary just to access social welfare. Through a series of in-person events and curated online screenings, we aim to expand society’s understanding of “home” beyond conventional frameworks—to open a window to new imaginings of what home can be. This “window” represents not only a small yet vital need for many renters, but also a passage through which marginalized voices can reach the wider world. By opening this window, we invite society to embrace the realities of those on the margins—and in doing so, unlock new possibilities for how we all live today.