All projects
Cinema Strada: Limited Online Preview + Collector’s Blu-ray & Book
Studio Luffa
"Back on North Face" Crowdfunding Project
重返巔峰北壁
The crowdfunding campaign for the documentary “Me and My Condemned Father”
李家驊
[Bel Ami] Limited Private Screening × Merchandise Sale
Blackfin Production
EEL Exquisite Set
底噪影像
The fifth album by the Ying-Da Chen Quartet, Live Without Irony
Giloo紀實影音
Hold The Hope: Documentary Crowdfunding Project
張弘榤
Holographic Blueprint of Screenwriting:Journey from Inspiration to Visual Realization
RAY
Holographic Blueprint of Screenwriting: Live Online Course
單元:誰的博物館 《物歸原主?》講述了藝術史上一道複雜難解的課題。歐洲各地的博物館中,收藏了許多非洲文物和藝術品,但其所屬的各個非洲國家此刻正要求將文物返還。在這波返還的聲浪中,本片邀請觀眾重新思考文化遺產與我們的關係,並探問博物館該如何重塑我們與非洲之間的關係。
單元:誰的博物館 《物歸原主?》講述了藝術史上一道複雜難解的課題。歐洲各地的博物館中,收藏了許多非洲文物和藝術品,但其所屬的各個非洲國家此刻正要求將文物返還。在這波返還的聲浪中,本片邀請觀眾重新思考文化遺產...
The Taiwan International Human Rights Film Festival, organized by the National Human Rights Museum, enters its 6th year in 2022. Through a diverse selection of films, the festival aims to spark public dialogue and reflection on human rights issues, and to put the universal values of democracy and human rights into meaningful action. In response to this year’s International Council of Museums (ICOM) theme, “The Power of Museums,” and the emergence of a groundbreaking new definition of museums, the curatorial team presents a special section titled Whose Museum. Through six thought-provoking films, audiences are invited to reflect on how museum collections — across different times and spaces — can engage in dialogue with the present era, while reconsidering the role and influence of museums in contemporary society. Additionally, the Human Rights in Focus section features four films that delve into pressing contemporary issues such as ethnic conflict, state violence, and environmental justice — offering mirrors for thought and action within civil society.