單元:人權廣角鏡 猶太國家基金的「藍色盒子」是項極為成功的募款計畫,旨在支持購買巴勒斯坦土地的運動。當年,導演的曾祖父猶瑟夫.韋茲曾參與並策畫了巴勒斯坦土地的取得和徵用計畫,在與家人的對話中,導演對祖父的行為提出質疑,進而開啟了一場對以色列過往歷史的探索,與碰觸令人感到不自在的真相。
單元:人權廣角鏡 猶太國家基金的「藍色盒子」是項極為成功的募款計畫,旨在支持購買巴勒斯坦土地的運動。當年,導演的曾祖父猶瑟夫.韋茲曾參與並策畫了巴勒斯坦土地的取得和徵用計畫,在與家人的對話中,導演對祖父的行為...
The Taiwan International Human Rights Film Festival, organized by the National Human Rights Museum, enters its 6th year in 2022. Through a diverse selection of films, the festival aims to spark public dialogue and reflection on human rights issues, and to put the universal values of democracy and human rights into meaningful action. In response to this year’s International Council of Museums (ICOM) theme, “The Power of Museums,” and the emergence of a groundbreaking new definition of museums, the curatorial team presents a special section titled Whose Museum. Through six thought-provoking films, audiences are invited to reflect on how museum collections — across different times and spaces — can engage in dialogue with the present era, while reconsidering the role and influence of museums in contemporary society. Additionally, the Human Rights in Focus section features four films that delve into pressing contemporary issues such as ethnic conflict, state violence, and environmental justice — offering mirrors for thought and action within civil society.