2021
Directed by 殷振豪
13:09 不知道為什麼，我對於這段結尾印象很深刻。對於殷振豪的印象大多來自茄子蛋MV導演的影像，也聽到不少女性朋友對於他陽剛視角，影像中女性幾乎沒有主體動能的批判，但身為直男的我還是會覺得殷振豪拍出來的東西是好看的。 畢竟我也常常在焦慮自己歌詞中的女性，是不是只是單純被我操弄的角色敘事，儘管我絕對不是帶著那樣的出發點。我寧願把這樣的敘事角度稱為我們直男式的線性思考（我沒見過殷振豪，如果不是直男再請指正），在這樣的敘事中殷振豪有成功建立他說故事的風格，喜不喜歡是一回事，但絕對是有特色不會忘記的。 我想最後這段結尾，那個銷魂的薩克斯風又把我招換回拍攝MV的殷振豪了吧。
疫情考驗人性，考驗著人與人之間的溝通與信任。 影片中一對乍看之下完全不對調的母女 ，經由意外闖入大叔的過往回憶，得以將母女兩人緊張的關係和解。其實世代有世代的文化，世代有世代的流行 ，跨世代找到平衡點 ，一樣可以共存美好。看似瘋狂奇異誇大的影片，細心融入了許多高雄在地特色元素(鳳梨、鹽埕區、後火車站、新崛江等等)這跟近年竄起的韓國K-POP一樣， 融合各種元素，從不同風格文化中汲取呈現多樣的美學新文化。
從音樂錄影帶開始，殷振豪導演便開始以純粹的台式基調作為影像作品當中常見的元素，首部長片《當男人戀愛時》更是如此地將韓國故事改編成道地的台式愛情。在以疫情隔離為主軸的《K-POP》當中，殷振豪導演轉而以中華文化和韓國文化的衝突作為母女的爭執點出發，乃至於這份對於傳統的堅持與傳承都有著不小的著墨，光是這樣就足以發展成一個完整的短片，不過在疫情大環境的包裝之下，影片較沒能從這樣的背景和主軸做出連結性是可惜之處。
【新片上架】K-POP by 殷振豪 Giloo Ｘ 高雄市電影館 𝑲 𝑺𝒆𝒓𝒊𝒆𝒔 線上影展 未知病毒肆虐，商店紛紛倒閉，只剩莉莉的喫茶店堅持開業，被迫與滿腦想去韓國當練習生的女兒共處。女兒美娜更是不滿媽媽苦守老店，在K-POP與演歌的競爭下，兩人衝突一觸即發，突然一名詭異男子倒地店外，母女倆冒險營救，也意外揭開世代衝突的秘密。 ▍K-POP ▍殷振豪｜台灣｜2021｜Color｜15 min ▍全片線上看 ☞ https://bit.ly/3uUXujv
K-POP - 正版電影線上看｜Giloo紀實影音No matter where you are, not just in Taiwan, international movie fans can easily watch too! The first wave of films from emerging creators are now live in our international section. Featuring top selections from prestigious film festivals like Golden Horse Awards and Golden Harvest Awards, as well as many highly anticipated emerging works for you to explore anytime, anywhere!
Giloo presents award-winning festival favorites, buzzworthy films, and thought-provoking documentaries, bringing together diverse themes and compelling stories. Step into the Spotlight Screening selection and discover films that have captured attention, sparked discussion, and are well worth revisiting.
In response to the partial reopening during the 2021 pandemic, the Kaohsiung Film Archive launched the “K Series” project—a collection of ultra-short films titled with the letter “K.” The “K” stands for both Kaohsiung and the spirit of “K.O.”—knocking out all restrictions and limitations brought by the pandemic. Shot entirely in Kaohsiung and produced in less than two months, these short films overcame countless obstacles during the COVID era. Each bite-sized story bursts with creative power, reflecting the life struggles five emerging directors sought to break through—be it the fading traces of the old city, familial bonds in a movie theater, generational conflict between mother and daughter, the desolate search for queer desire in an apocalyptic world, or the vicious cycle of gossip and rumors in the internet age. With each story shaped by a distinct directorial voice, the “K Series” showcases the boundless creative possibilities that emerged in the shadow of a global crisis.
The word “Take Off” carries dozens of meanings—departure, revelation, flight, transformation. Depending on context, it shifts and expands, just like life itself, which rarely conforms to a single shape. We’ve selected ten films, each capturing a different form of transformation. Some tell stories of letting go—of setting off alone on a pilgrimage or retreating into the solitude of the forest. Others follow companions on creative journeys, documenting their explorations along the way. Some films bring us back to the uncertainty of a world shaken by a virus—where vaccines and rapid tests posed impossible questions, and the path forward in a post-pandemic world came without instructions. In these moments, a bit of fantasy in the everyday—or a drink-fueled moment of self-reflection—might just offer clarity. And the journey of transformation doesn’t end with life itself. What do we leave behind? What do we carry with us? Eventually, we arrive at heaven’s door—and perhaps, rebirth.