Kuan-Du Film Festival

A senior female teacher cannot erase the scratch on her car or hide the crack in her heart.

Cleaning up the scenes and possessions of those who died alone leads A-Jay on a journey toward making peace with himself

Southern China, demolition in progress, they met an earth god in the ruins.

Chen Yu Hsuan and Tsai Ming Shiou's first father-daughter storm, selected for screening at the Hong Kong Fresh Wave Film Festival, Southern Film Festival, Golden Harvest Awards, Kaohsiung Film Festival, and NTU Film Festival.

Through the combination of literature and modern pollution, a strange scene of environmental disaster and human fear is outlined.

7-year-old girl Ting-Ting is nearsighted, but she doesn't want to wear the glasses. Because she finds that her young and capricious mother, also a streamer she followed, pays attention on her only when she needs to apply eye drops.

A lonely amateur photographer, developing the same photo of his ex-lover everyday.

A destitute young man meets a merciless lens, which reflects the absurdity of his waiting.

《最佳禮物》改編自真實生活，講述現今社會離婚家庭普遍的現象，它正源自於我的生活、我的執著。

這個春天，獨自扶養陽陽的母親不敵生活壓力的困窘，決定暫時將陽陽從台灣送到大陸奶奶家生活一段時間，正當他與陌生的奶奶逐漸相知相惜之時，卻傳來了父親在英國被逮捕的消息

Three children enjoy hitting roadside reflectors with golf clubs. When the warning signs disappear, who will lose their way on the dark road?

The rooftop door, blown shut by the wind, has sealed Jiawei's escape, and his relationship with his girlfriend's family. Unable to make the dinner, he can't put on a good show. It's not hard to become a man; finding a girlfriend with great tolerance is the real challenge.

His father returned from the distant seas, the house steeped in the scent of fish and a heavy, wordless silence. As a son, he could only linger at the edge, unable to bridge the distance between them.

On New Year’s Eve, a drunken confession in the bathroom unveils the unspoken secrets between them, and their friendship quietly teeters on the edge of ambiguity.

On this street, I often try to piece together and visualize the childhood memories of my mother, who is Burmese Chinese, while pondering over the coexistence state and cultural microcosm of people who have “remigrated” back to Taiwanese society.

At a fishing village, plans for the expansion of a nearby oil refinery cause a big stir, triggering a three-way power struggle between an old protester, villagers, and factory representatives.

Memories are like a moving train, shuttling through the joys and sorrows between Hong Kong and Taiwan in the past, and finally reconciled with myself in the bitter days.

60 kinds of plants weave a love story, stop-motion animation recreates the blossoming and withering of female emotions.

Exploring nature through a child's perspective, the interplay of animation and sound captures the rhythm and wonder of life's movement.

"This is a Scene practice, not a one-man show. You can't do your own."