揪竟，這是命運無情的捉弄，還是貪婪的慾望在作祟──歡迎收看謝文明瞳鈴眼，一睹人類的貪癡嗔！

For women, to live as full human beings in this world has never been easy. In these stories, women are placed within multiple roles: daughters-in-law, mothers, job seekers, and migrant brides within transnational contexts. Between bodily experience, childbirth, and the question of staying or leaving, they struggle between trauma recovery and life choices, while also being seen and expected within structures of power. They are expected to embody contradictory ideals: to be both desirable bodies and symbols of purity; to conform to norms while pursuing ideals. Within structures shaped by violence, sexual harassment, and entrenched misogyny, they continue to resist within bodies that are constantly constrained, seeking possibilities of freedom and rebirth. Their lives unfold like flowers in bloom. The Blood of a Hen and The River of White Porcelain may respond, through image, to the complexity of these predicaments, and open up alternative ways of seeing and understanding women’s experiences.

Wherever you are, in Taiwan or abroad, you can watch with ease! Discover acclaimed films from the Cannes, Venice, and Golden Horse film festivals, plus a lineup of highly anticipated works from emerging filmmakers waiting for you to explore. Start watching anytime — no borders, no limits.

No matter where you are, not just in Taiwan, international movie fans can easily watch too! The first wave of films from emerging creators are now live in our international section. Featuring top selections from prestigious film festivals like Golden Horse Awards and Golden Harvest Awards, as well as many highly anticipated emerging works for you to explore anytime, anywhere!

The theme of this program is hookup films — stories of young men and women in the city, some by chance, others by design. Each work carries a strong sense of space: homes, subways, laundromats, saunas — online and offline, full of contemporary texture.
Sex is the desire to live; when facing death, I feel small, and each night becomes a luxury.
At some point, I stopped saying “forever” and began saying “the rest of my life,” though what remains may be only tonight.
In one scene, he asks, “Why do you make films?” She answers, “Because I like it.”
Because I like it — that’s how simple the reason is for this generation.