Classics
213 films
Linda Linda Linda
The Elephant Man
Poetry
Angel's Egg
The End of the Track
A Morning in Taipei ╳ The Man Who Has a Camera
Raining in the Mountain
A Touch of Zen
Tokyo Godfathers
Super Citizen KO
A Summer Garden
Late Life: The Chien-Ming Wang Story
30拉緊抱
Let the Wind Carry Me
搬家
Night on the Galactic Railroad
Millennium Mambo (Digitally Restored Version)
Loving You
The Virgin Suicides
Hsi Shin: Beauty Of Beauties
Spotlights
A Movie A Day・Precious movies, precious you.
Our movie calendar curates 365 "essential films of the world," intended for every essential individual on this planet. Partnering with Giloo, we've organized a list of six classic movies included in the "A Film A Day 2025" collection that are also accessible for viewing on the Giloo platform.
Sound of this movie title
You know that feeling when a movie with powerful, catchy music ends, and as soon as the credits start to roll, you're already scrambling for your phone to search for the soundtrack? You want to put those scores and songs back in your ears the moment you leave the theater. Sometimes it's a theme song, sometimes it's an entire soundtrack, used to recall moving scenes or simply to comfort your ears with music when you need it most. These films, whose melodies I can hear in my head just by seeing their titles, are ones I treasure—they're truly exceptional viewing experiences.
The Isolated Island Connecting Reality and Virtuality
Contemporary humans coexist with technology, increasingly relying on digital platforms to forge relationships, yet feeling an ever-growing sense of distant connection. From seeking solace in dating apps to performing identities on social media, we seem to be drifting in virtual worlds. This curated selection of five works explores intimate relationships in the digital age, gazing at the ways connections have been rewritten by technology, or perhaps the genuine desires left adrift in the virtual seams. In this generation of accelerated connections, everyone is like an island floating in the digital ocean, awaiting a real touch.
詩意與信仰：塔可夫斯基的最後《犧牲》
作為二十世紀最負盛名的俄國導演之一的安德烈・塔可夫斯基（Andrei Tarkovsky）一生僅拍七部半電影，因政治因素流亡海外多年。他以詩意的長鏡頭、後現代主義敘事方式與形而上的主題見長，相信拍電影即是用影像「形塑時間的樣貌」。
從【爛頭殼】看濁水溪公社
濁水溪公社自1990年成立以來，一直是台灣地下樂圈中最受爭議的樂團，打開始就把「態度」擺在「音樂」前面，踐踏前人奉為規臬的「搖滾精神」，發表的宣言幾乎比歌詞還多，每場表演都以混亂收場。但諷刺的是，這支不把音樂瞧在眼底的樂團，卻是現在台灣玩團青年心目中最重要的團體之一。從今年1月19日舉辦的向濁水致敬演唱會就可以看出來，在台灣能夠被這種陣仗對待的搖滾樂手，除了紅螞蟻、薜岳之外，也只有濁水溪公社了。
無家之屋： 由《青少年哪吒》至《河流》
作為蔡明亮電影世界的原型，處女作《青少年哪吒》對於小康之家的塑造，非比尋常。老夫少妻的雙親來自不同省籍與歷史文化的婚姻結合，孕育了李康生——這位蔡明亮電影永遠的繆思——格外與眾不同的體質與稟氣。