2018
Kurzfilm Festival Hamburg
國際競賽提名
國際競賽提名
A sharp, compact poem often speaks louder than a lengthy speech! Giloo presents a curated collection of small but powerful documentaries—short films that, within a limited runtime, deliver layered, resonant stories. Experience the elegance of cinematic brevity, and see how precision in visual storytelling can leave a lasting impression.
Unheard wishes. Unanswered cries. “Who cares? We’re just the ones left behind.” In the margins of society, lives unfold far from the spotlight. This is an invitation—not to save, but to witness. To step into the shadows, and truly see.
As long as the camera is running, recording begins from the very first moment. This act of recording is the source of vitality for images and film. In this era, images aren't exclusive to cinema; they are also a vessel for art, belonging to every possibility.
Over the past century, modern poetry has redefined the meaning of "poetic" time and again. Similarly, poetic cinema—originally pioneered by directors like Andrei Tarkovsky—has gone through countless divergences, clashes, and disruptions. Today, to label a film simply as “poetic” can feel almost reductive. Cinema’s engagement with poetry has long since moved beyond imitation; it has entered a stage where it redefines poetry itself—pointing to unexpected forms and aesthetics, even suggesting new directions for literature to break through its own limits. The five films I’ve selected reflect these expanded poetic sensibilities: Iron Moon — a raw yet tender documentary on labor rights and worker-poets in China The Cordillera of Dreams — a reflection on Chile’s shadowed history Manfei — an off-centered biographical portrait of a pioneering dancer The Man with the Camera — an experimental film on novelist Liu Na’ou Nomad: In the Footsteps of Bruce Chatwin — a return to the spirit of romanticism through Werner Herzog’s lens. These works may offer us a way to reexamine the world—not only as filmmakers or viewers, but with the vision of poets.