2018
Chicago International Film Festival
金雨果獎
不難讓人聯想到張藝謀的《大紅燈籠高高掛》
《你的紅不是我的虹 — 落紅》 靜謐的氛圍，詩意的構圖美感，很難不讓人聯想到，同樣是越南出身的陳英雄導演，榮獲坎城電影節金攝影機獎之作《青木瓜之味》，但在《落紅》將那種雨季中清新卻沈重的濕氣，透過鏡頭帶領觀眾身歷其境，從悠悠地水道駛向，緩緩而來的生命，暗喻著產道與出世的瞬間，一切明朗了起來，卻也明亮地令人迷茫。 主角是一位被封建習俗吞噬的少女，從出嫁到生產，無一不被這吃人的禮教給侵蝕，從肚臍上象徵著受精的蛋黃被吞食，她所嚮往的孕育已然成為，將五臟六腑與心智同時移挪的使命，而女主角生育前，在懷胎十月的肚皮放上了一片嫩葉，那是期盼，卻也如葉被風吹逝而落空。 故事裡包含著一次出生與一次死亡，死亡的是那位，與女主角一樣被安排，卻無法完成孕育使命的少女，彷彿她在這世間猶如客體，性與權力紮實地綑綁，終而將母體給異化。 說著長大後要成為男人的女童，最後剪去了長髮，這三千髮絲，呼應著春蠶到死絲方盡，這樣的故事似乎有點遙遠，卻也不是那麼遙遠。
使用大量主角小雲的主觀鏡頭，帶領觀眾一同進入十九世紀末越南封閉的傳統家庭。「河」束縛著大宅內女人們的人生自主權。開場小雲在船伕的帶領下渡河嫁入，後段阿雪於河畔上吊自殺。在喪禮後，小雲抱著女兒獨自遠走，最終，也只能止步於河畔，實體地被環境拘禁於這個家族、傳統內。小雲摘起黃花，意圖毒殺女兒，對應單少爺與父親乘船帶著阿雪的棺材離開，暗示著唯有死亡才能脫離。
本片配樂是由越南裔法國人作曲家尊室安所創作，在配樂中運用傳統樂器及小提琴等樂器，融合了東西方音樂。尊室安也曾以廖士賢《遙遠的所在 Styx》，獲得第30屆金曲獎最佳編曲人獎。
24:27 「我長大後會變成男生」 「真的，我會變成男人，娶很多妻妾」 孩子的童言童語，卻讓人看了心疼不已。連孩子都能感受，在封建的社會制度之下，唯有身為男性才擁有話語權及選擇權。
在《落紅》中，19世紀末父權社會的壓迫展現在女人的日常生活上，而並非藉由單一角色來演繹。電影中的男主人，並不特別令人討人，他只是扮演著社會期待一個男主人，或說一個男人該有的角色，而女人在男尊女卑的環境中的處境則透過三位女性角色的日常展現。
19:13 電影將蠶寶寶吐絲結繭的畫面與小雪的孕程並置，產生了強烈的視覺隱喻 - 蠶寶寶的成長象徵小雪的初夜、懷孕、被迫蛻變為女人的過程，以及傳宗接代的任務；導演更用繭中吐絲的蠶，暗指大宅生活的束縛與孤立。
2:05 顏色在電影中扮演了非常重要的角色，一開場主角小雪身穿白衣披上的紅色披巾，即毫不掩飾地象徵著落紅的意象。而故事中三位女性角色的服飾顏色也隨著劇情發展，地位的轉換而有所變化。整部電影中顏色的意象表現的既鮮明又細緻。
想分享一版我很喜歡的《落紅》海報，直立式的一隻眼睛流著血，就像是女性的陰戶落紅流下的血。女人用眼睛見證著自身的命運，流出來的淚堪比血。 象徵巧妙的雙關，分享給大家！
Trying to become the ideal adult, only to realize that no matter your age, the fear of the unknown never truly fades? With limited life experience, we struggle to survive in an ever-changing world. We become parents, yet still carry the weight of our own upbringing. Here are five soul-nourishing cinematic “coming-of-age remedies” to help you rediscover your original self and strength—bring along your inner child and taste the essence of growth: Yi Yi, a Taiwanese New Wave masterpiece, reflects the quiet milestones of growing up. When dreams fall apart, All About Lily Chou-Chou captures the angst of disillusioned youth. Lost your way? Get gloriously drunk with Another Round, the Oscar-winning Danish hit. Feeling bound by your roots? Draw rebellious inspiration from Afghanistan’s maverick filmmaker in Nothingwood. And if loneliness creeps in, turn to the extraordinary lives of creators like Cheng Wen, Steve Jobs, Yayoi Kusama, and Agnès Varda. Sometimes, growing up isn’t about letting go of your inner child—but learning how to walk with them.
Love can bind—but it can also unravel. When blood becomes the beginning of tragedy, home turns into an inescapable prison. In collaboration with the National Theater & Concert Hall, Giloo Documentaries presents the 2022 TIFA Film Series. At its center: a decades-old murder born out of love, a secret buried by three generations for over half a century… What should a family be? What does a “home” really mean? Alongside this series, the NTCH presents special screenings of Amsterdam’s Internationaal Theater’s House of Ibsen and After the Rehearsal / Persona—two powerful theatrical works that explore love, memory, and the haunting weight of family legacy. Come experience these epic family sagas, and witness the many faces of love.
"Every part of the body has its own memory. All the trauma we’ve experienced is stored in our bodies."—Marina Abramović While curating this special Giloo playlist—limited to just five films—I slowly discovered what I truly care about. I’ve always felt that people are fragile. Everyone carries moments of sadness, loneliness, and pain. After much inner struggle, I chose five films that have accompanied me through some of the most significant times in my life. Each time I press play, the tears come naturally. I deeply believe in the healing power of cinema—its ability to connect people from vastly different walks of life through shared emotions. We are never truly alone. And I hope, through these films, we can all find a little strength and courage to shift our reality, even just a bit.