2016
有「中國獨立紀錄片之父」美稱的吳文光導演，在2010年所發起的「民間記憶計劃」，鼓勵作者拿著攝影機回到各自家鄉，對老人進行口述訪談，追探被消音的歷史，進而累積出數量可觀的民間記憶檔案。除了社會與歷史層面⋯⋯
Images that appear real—once cut, rearranged, and reassembled—reveal a world flickering with firelight and illusion. A game, a dream— a documentary can also be just that: a dream. In this realm of moving images, where creators weave dreams from fragments of reality, are you the one dreaming? Or have you become part of the dream itself?
For most people, “home” naturally refers to the place one returns to each day—a space of comfort and rest for both body and soul. Yet for many around the world, the feeling of having a home is unimaginable. At some point in their lives, they were forced to leave—because of war, politics, or simply in pursuit of a better life—and began a journey of drifting, searching for a new sense of home. While trying to settle and take root, they continue to yearn for the ghost of a homeland left behind. Can this new home ever replace what was lost? Faced with new identities and unfamiliar neighbors, how do they perceive themselves? Have they become someone new, or are they destined to remain like rootless water plants, adrift?