1984
Golden Horse Awards
最佳改編劇本、最佳女配角
Directed by 萬仁
最佳改編劇本、最佳女配角
初看是高三，重映版上映時，第一次正視傳統重男輕女的社會現象，著實嚇了一跳，並不斷地帶入「如果我是阿惠，我會做出什麼選擇？」 結論是尊敬每個鼓起勇氣逃離原生家庭陰影的勇者，要相信自己值得所有的愛。
非常喜歡，傳統女性的代表，象徵著那個時代家庭的代表，你我可能都有經歷過或是說過的故事。
一部非常「新電影」的「新電影」（編劇之一是侯孝賢）。從現在的眼光回過頭看，根本像是恐怖電影。電影裡頭的爸爸會家暴媽媽，在外面偷情，只會拿家裡的錢，只是後來悔改了，然後跟女兒的感情不錯。媽媽也不遑多讓，會打小孩，嚴格控制老公，還會情勒自己的女兒。最後乖乖牌的女兒終於做了一件違逆她媽媽的事：不顧媽媽反對嫁給自己的初戀情人。我心裡的感想是：看到你爸媽這樣你還敢結婚喔？其實是蠻有趣的電影，拍的也很好，而且記錄了台灣在發展過程中兩個世代的生活情境（譬如說經濟成長的樣貌），有一種特別的寫實感。
In the scorching summer, temperatures ignite fires all over the body, the mind grows hazy, and tempers flare. Watching movies is an excellent remedy for the heat: draw the curtains, turn on the air conditioner, put your phone away, and focus on the film. This is a deliberately created cool paradise. These five films all have powerful stories that resonate with me, prompting deep thought. A good movie truly extinguishes the fire in our bodies, its images reflecting the spirit of the times, and the actors' fleeting glances betraying a yearning for freedom.
Philosophers have long used ideas like yin and yang or lightness and weight to explain the makeup of the world. Here, I’d like to offer my own theory: the world is made up of big trees and little squirrels. The big tree stands silent, steadily pointing toward the sky. The squirrel darts between the branches—lively, charming, constantly complaining, and just a little annoying. As for me, I’m more like a complicated machine. Beyond the forces of family background and social conditioning, my free will flickers—barely there, yet stubbornly refusing to give in. Pulled in both directions, my mind constantly sways between the tree and the squirrel. That’s why I’m often drawn to films with depth and gravity—stories grounded in the weight of personal histories and quiet resilience. And especially when I come across characters who are even more chaotic squirrels than I am—that feeling of comfort? So real. So good