Woman who dreams
"What kind of dreams can we see in a woman?" — What if we remove "woman"? Does the answer change? I ask myself, then I wonder again — why should "woman" be removed? Are there differences or similarities between a "woman's" story and a "person's" story? If there are true distinctions, what would they be? And am I deeply drawn to it as a woman, or as a person? Perhaps the answer is irrelevant, but within irrelevant questions, the most unignorable answers often lie.
Author葉家瑜對於自我介紹苦惱了 35 年的女子，有過很多無關緊要的稱呼，現在更願意稱呼自己是「說故事的人」，主持《普通煩惱自救會》與《歡迎光臨真實世界》兩檔 Podcast，正在進行《保持通話》電子報寫作計畫，I,m fine, thank you, and you？
5 films
Little Girl
RBG
Still Tomorrow
Small Talk
Margaret Atwood: A Word after a Word after a Word is Power
Popular
The Art of Lesbian Visibility
Taiwan has long since become the first country in Asia to legalize same-sex marriage, and LGBTQ+ lives seem to be increasingly woven into everyday life. Yet, when we turn our gaze to Asia’s mainstream media and cinema, where are the stories of lesbian women? The love left unspoken, the relationships that defy definition, and the intimacies that blur the line between friendship and romance—are they still hidden beyond the frame? And when lesbian women do appear on screen, how often are their stories truly told from their own perspectives? This time, through a collection of films, we summon those who have always been there, yet have rarely been seen. “I summon you by this name. Reveal yourself.”