The Museum of Time
Every day, we're redefining time: measuring the distance of a walk or commute in time, that socially awkward moment on a Monday or Friday, climate anomalies causing red maples to arrive early and fade late, the tense of making a takeaway coffee, the excessively long summer days in Europe, the timezone of late-night runs along riverbanks or tracks, the time difference making long-distance relationships between New Zealand and France so difficult. Time in its myriad forms, time in the plural, a museum of time. I love contemplating how artists think about time: spinning, leaping, with eyes closed; sometimes between waking and sleeping, but more often, collecting time itself.
Author林人中台北藝術節策展人、旅法藝術家。因為工作經常往返於各種時區，熱切追求當代藝術與表演的時代感。主攻Live Art、舞蹈、酷兒文化、文化行動主義及跨領域展演。現亦為印尼舞蹈節共同策展人、里昂舞蹈雙年展客座策展人，並擔任多項國際藝術交流計畫與獎項之主持人、評審或顧問。
