2018
Golden Harvest Awards
最佳紀錄片
最佳紀錄片
最佳紀錄片提名
長片組競賽
2014 年，繼台灣的太陽花運動後，香港的雨傘運動也震撼世界。這個以「真普選」為訴求的公民運動，以年輕人為中堅主力，引發數十萬人上街聲援，許多人都是首次走上街頭。幾年之後，多部相關紀錄片陸續問世，毫無疑問，陳梓桓的《亂世備忘》仍是其中最⋯⋯
2022年台北電影獎百萬首獎、入圍本屆金馬獎最佳紀錄片及最佳剪輯、現正熱映中的《神人之家》，由《牧者》導演盧盈良執導。本片以自身家庭為故事主軸，講述嗜賭的父親、乩童哥哥阿志、一生含辛茹苦的母親，與導演阿良之間的愛與恨。本次專訪，我們邀請到導演本人聊聊這部片的拍攝過程，以及拍攝自身家族題材的糾結，更透露了他當年起心動念成為影像工作者的起點。
No matter where you are, not just in Taiwan, international movie fans can easily watch too! The first wave of films from emerging creators are now live in our international section. Featuring top selections from prestigious film festivals like Golden Horse Awards and Golden Harvest Awards, as well as many highly anticipated emerging works for you to explore anytime, anywhere!
Since 2024, Giloo has officially launched its international viewing service, joining hands with creators around the world to present a curated selection of over a hundred acclaimed films. From award-winning festival titles and popular feature films to thought-provoking documentaries, Giloo brings together diverse themes and compelling stories — inviting you to a cinematic feast that transcends borders.
What is Taiwan? What does Taiwan have? Our imagination of Taiwan’s future depends on how we choose to read Taiwan. The Taiwanese documentaries selected by Giloo aim to offer a multifaceted and in-depth perspective—allowing us to empathize with the struggles and efforts of the Taiwanese people, uncover the richness of this land, confront its challenges, and analyze the issues that shape life on this island.
What joys, struggles, dreams, and doubts shape the everyday lives of queer individuals? As they strive toward self-realization, what vibrant colors do they bring to the world? To celebrate the spirit of Pride, Giloo presents a curated selection of films and documentaries centered on LGBTQIAPK experiences. While you take to the streets for the Pride Parade, we also invite you to step into the love, lives, and stories of queer communities—on screen.
Faith is a dwelling place of the heart—a quiet sense of belonging, of ease, of return. Do you believe the world is kind to you today? Have you ever wondered why you were born into this world? As a part of nature, of all living things—where do you stand?
Other than observation from the center, the South Taiwan Film Festival serves as reflections on social stereotypes, the perspectives of locality; of course, there are over two decades of expectation of avant-garde spirit. By a serious of recommendations of South-Award and panorama programs, along with Giloo, we feast you with the most vivid spirit of the South.
This year’s Queer Film Festival poses a timely question to society: Boundless, limitless, borderless—can gender, and the existence or absence of it, become a plural possibility? Under the theme of “Endless Love” and “Infinite Love,” the festival explores diverse expressions of love and sexuality through cinema. Whether grounded in reality or born in the virtual, gender will be redefined and renegotiated. Through the performance and context of gender, the body becomes a vessel of both flesh and spirit. Humanity expresses its desires, orientations, and identities—blending, shifting, and converging into the infinite (∞): the limitless, the boundless, the ever-expanding potential of plurality. These shifting terrains of the body, desire, gender, and the fluid interplay of yin and yang give rise to a multitude of gendered possibilities. In this reimagined world, love, sexuality, and human connection are no longer subjects of discrimination, distortion, or stigma. Instead, we envision a new and beautiful future of infinite love—one that celebrates what it means to be fully, freely human.
In 2021, two years after the legalization of same-sex marriage in Taiwan, nearly 6,000 same-sex couples have tied the knot. That same year, Japan saw a historic breakthrough when the Sapporo District Court ruled that banning same-sex marriage was unconstitutional—the first such ruling in the country’s history. Today’s East Asia may appear to be making epoch-defining progress, but every step forward has been paved by those who came before—people who have lived boldly and brilliantly through eras of repression, exclusion, and shame. It is through their relentless struggle that society has opened up, however slightly. From The Wedding Banquet (1993) to Until Rainbow Dawn (2019), what has Taiwan and Japan gone through over the past 26 years in terms of gender and societal shifts? And as children of these histories, how much of ourselves do we see reflected on screen?