2018
Directed by 德米特里・卡拉希尼科夫
原本抱持著看ㄎ一ㄤ片的心情點進來看，沒想到看完陷入一陣沉思，個人推薦平日晚飯後的小休閒可以選來看。 影片中，有一閃而逝的畫面，可以感受車速的快感，有些又緩慢的貼近真的在馬路上快要煩躁起來的親身經驗，非常有趣。行車紀錄器除了可以當新聞之外，剪接之後還可以變成紀錄片和電影片段，當影像拍攝變成人人隨時隨地都有辦法取得產出之後，時代便可以從各自微觀的角度，拼拼湊湊堆積成立體的樣貌，行車紀錄器除了看到國家各地樣貌，也記錄下語言、公路上的叢林法則和天災人禍，記錄一個地區/國家的切面。
M004_真實公路電影 2022.05.20 【簡介】 這部電影是由許多段行車紀錄器的畫面拼接而成，讓觀眾看到當地人最真實的一面。裡面有溫暖的人，也有邪惡的人，有日常的風景，也有少見的意外。雖然行車紀錄器中的場景並非台灣人熟悉的樣貌，但也顯示出不論在哪個地區，我們並沒有太大的不同，大家都有可能遇到各種突發事件。唯一的不同只是我們所在的地區而已。 . 【感想】 這是經由敏迪 @mindiworldnews 推薦，在Giloo紀實影音平台 @giloo.ist 上觀賞的電影，謝謝讓我看到很棒的電影。 這是一部很簡單的電影，也是一部很貼近生活的電影。他用一段又一段的行車紀錄器畫面，帶領觀眾踏上一趟公路旅行。途中有驚嚇，有荒唐，有美麗的風景，也有醜惡的行徑，讓觀眾一齊摒住呼吸，隨著駕駛經歷各種光怪陸離。 公路是大家天天都會見到的畫面，很平常，但當坐上駕駛座，路上隨時會出現的突發狀況，使許多平常忽略的事都會被放大，而這也是見證人性光明與黑暗的時刻。另外再加上不同的民族性格與氣候環境，造就這部電影時而驚悚，時而荒誕的片段。 我會一口氣毫不間斷地看完，並且不如敏迪所提醒覺得無聊，或許是因為沿途的景色令我想起當年在東歐國家所度過的寒冷的一個月吧！皚皚的白雪與漆上低彩度顏色的方正樓房，搭配灰濛濛的天空，整個世界壓抑卻有千萬情緒湧動的氛圍，令我忍不住感到些許激動。或許是因為生於長於臺灣，一直以來對北國都有著一種嚮往，因此就算是簡單的畫面，若能更貼近異國一些，也是十分有趣的事。 . #Burnink_電影 #Burnink_Movie @burnink_98 #真實公路電影 #TheRoadMovie #德米特里卡拉希尼科夫 #DmitriiKalashnikov #白俄羅斯 #Belarus #這些國家那些事 #TheseCountriesThoseThings #敏迪選讀 #mindiworldnews #Giloo紀實影音 #紀錄片
推廣紀錄片的難題之一，是要抵抗大眾的刻板印象。一般人總想像紀錄片就像新聞報導，題材必定嚴肅，形式也硬梆梆。殊不知，有許多創作者在意想不到的地方尋找題材，或在真實與虛構之間嘗試各種拍攝方式——這正是紀錄片作為一個「片種」，在當代充滿生命力的景象⋯⋯
Film is one of the fastest ways to get to know a country. In just an hour or so, a movie can take you through its streets, speak its language, and tell its stories from the inside out. Don’t worry—we’re not here to dive into complex geopolitical debates. In this film program, you’ll meet a wild rock band raising chaos in North Korea, a group of Danish men who really love to drink, and witness the everyday madness of the Russian “warrior people” through dashcam footage. These films don’t aim to explain entire nations. Instead, they focus on the little things—the strange, funny, messy bits of daily life. And isn’t it exactly these small moments that, together, make up the kaleidoscope of a country?
While watching a film, you’ve surely thought—if only I were there. Whether it’s the breathtaking landscapes or the long, winding paths walked by the characters, something pulls you in. John Berger once asked, “Did you come by photograph or by train? Every photograph is a means of transportation.” Let these documentaries be letters from afar— delicate invitations to places you’ve never imagined, and journeys you’ve never taken.
During my time working as a marketing planner at Giloo, the most common challenge I’ve faced is this: people think Giloo’s films are too serious. Not exactly what you'd pick for unwinding after work, hanging out with friends, eating dinner in front of a screen, or zoning out when you're mentally exhausted. But as someone who runs a meme page and shamelessly loves random YouTube junk, I’ve decided to drop the “Giloo staff” filter and just go with my gut. So here it is—a selection of five films I genuinely love. Featuring Taiwan’s most dangerous indie band, the chaotic wonders of Russian dashcams, a day in the life of 38 adorable animals, a deliciously dark female revenge story, and more. These films have kept me company during some very random and very real moments in life. And I promise—after watching them, you just might see Giloo in a whole new light. (^_−)−☆
“Film is the fastest way to get to know a country.” Following the online film program “These Countries, Those Stories”, Mindi returns with six new selections—films that take you through city streets and speak the language of a nation’s soul. From a dashboard camera in Russia capturing everyday chaos, to a young girl in China growing up surrounded by the world’s plastic waste, to a moving art project unfolding in the quiet French countryside—each story may seem small, but it’s through these small moments that a country’s kaleidoscopic identity takes shape.
While watching a film, you’ve probably thought: If only I could be there too. Whether it’s the long journeys the characters take or the breathtaking scenery that stuns you into silence. John Berger once asked: “Did you come by photograph or by train? Every photograph is a means of transportation.” So take these documentaries as letters from afar— Let them lead you into unimagined journeys, Into lands you’ve never set foot in.
Images that appear real—once cut, rearranged, and reassembled—reveal a world flickering with firelight and illusion. A game, a dream— a documentary can also be just that: a dream. In this realm of moving images, where creators weave dreams from fragments of reality, are you the one dreaming? Or have you become part of the dream itself?