Director
Directed by 王秀岳
電影《緬北高地來的女人》榮獲2022年印度影展最佳導演獎、歐洲獨立影展最佳紀錄長片、東歐獨立影展最佳紀錄片榮譽提及等多個獎項。－－https://ias.um.edu.mo/%E9%AB%98%E7%A0%94%E9%99%A2%E8%A7%80%E5%BD%B1%E6%9C%83%E5%8F%8A%E6%98%A0%E5%BE%8C%E8%AB%87%EF%BC%9A%E3%80%8A%E7%B7%AC%E5%8C%97%E9%AB%98%E5%9C%B0%E4%BE%86%E7%9A%84%E5%A5%B3%E4%BA%BA%E3%80%8B%E6%88%90/?lang=zh-hant
高研院觀影會及映後談：《緬北高地來的女人》成功舉行No matter where you are, not just in Taiwan, international movie fans can easily watch too! The first wave of films from emerging creators are now live in our international section. Featuring top selections from prestigious film festivals like Golden Horse Awards and Golden Harvest Awards, as well as many highly anticipated emerging works for you to explore anytime, anywhere!
For women, to live as full human beings in this world has never been easy. In these stories, women are placed within multiple roles: daughters-in-law, mothers, job seekers, and migrant brides within transnational contexts. Between bodily experience, childbirth, and the question of staying or leaving, they struggle between trauma recovery and life choices, while also being seen and expected within structures of power. They are expected to embody contradictory ideals: to be both desirable bodies and symbols of purity; to conform to norms while pursuing ideals. Within structures shaped by violence, sexual harassment, and entrenched misogyny, they continue to resist within bodies that are constantly constrained, seeking possibilities of freedom and rebirth. Their lives unfold like flowers in bloom. The Blood of a Hen and The River of White Porcelain may respond, through image, to the complexity of these predicaments, and open up alternative ways of seeing and understanding women’s experiences.