At the peak of his choreography career, he felt lost. After leaving his tribe for more than twenty years, Bulareyaung chose to return to his hometown of Taitung, working with a group of young indigenous dancers. From the stage of the National Theater and Concert Hall to the tribal activity center, they used their bodies to dance their lives into works of art, exploring themselves in the works. And this group of mostly non-professional dancers, with their casualness and freedom, was what Bulareyaung originally had before leaving the tribe. In this dance troupe that feels like home, they rely on each other to grow. The dancers realize their dreams of dance performance, and Bulareyaung also slowly gets closer to being the child of the tribe he once was on his journey back to the tribe.