This work reexamines landscape through two perspectives: the isometric viewpoint of 3DCG space and a microscopic viewpoint. Rather than depicting a finished image, it approaches landscape as a phenomenon generated through the interaction of 3DCG simulations and the diffusion of paint. Based on spaces created in 3DCG, each frame was painted by hand. By transforming embodied experiences of nature into animation, the film explores a spatial expression that brings the depth and sensibility of landscape painting into the animated medium.