2020
Golden Horse Awards
最佳紀錄片提名
最佳紀錄片提名
最佳紀錄片提名
台灣競賽提名
社會公義電影獎
《我的兒子是死刑犯》紀錄片中，李家驊導演用他的鏡頭紀錄了三個死刑犯，或者應該說以三個死刑犯作為脈絡，紀錄了他們的家人、朋友、辯護人，乃至於社會對他們的理解、反應，交織出我們對「死刑犯」的輪廓。
In a society as warped as ours, who has the right to call themselves "normal"? Six teenage boys, locked inside their New York apartment for years, understand the world through their collection of 5,000 movies. An invisible army of overworked gig workers scrubs your social media feeds clean—out of sight, out of mind. Three adult women, posing as underage girls online, expose over 2,000 suspected child predators. In the U.S., a teen kills another—over a pair of rare, resold Air Jordans. Elsewhere, a group of people worship Satan—not to spread evil, but to resist the suffocating grip of far-right religious politics. So—are these people “normal”? Are they not? And who gets to decide what “normal” even means? Giloo presents 10 documentaries that explore the lives of those often labeled as “abnormal”—but who, in their own ways, might just be the most honest reflections of our times.
In today’s world, is mutual understanding still possible? When authoritarianism resurges, power is concentrated in the hands of corporate giants, and fake news floods every channel, even basic communication between people has become a daunting challenge. The team at Chichi’s Notes believes that the desire to communicate stems from our human longing to understand the unknown. As long as we stay curious and refuse to accept a black-and-white view of the world, meaningful dialogue remains possible. This online film program begins with the theme of fake news and self-media, inviting viewers to reflect on how media shapes public perception. Through the lens of documentary, we question what we take for granted and challenge our assumptions—listening to the confessions of dictators and digital nationalists, exploring the resistance of cults and subcultures, and blurring the line between criminality and creativity. We hope these films offer glimpses into our shared struggles and desires—and open up new spaces for mutual understanding in a world that feels increasingly divided.
Is justice truly equal for all before the law? Like a queen’s chastity once deemed unquestionable, what happens when rigid systems confront the complexity of human nature and circumstance? Who ultimately defines fairness and justice? A wrongful conviction that dragged on for two decades, a protest movement that pitted flesh and blood against authoritarian rule, a death row inmate executed to the cheers of the public—what role did the “law” play in each of these cases? Should we rise up to question the banality of evil, or quietly submit to it? “Judiciary Class” is a name adapted from the popular Korean series Itaewon Class, drawing on the dual meaning of “classroom” and “course.” It symbolizes a shared space for audiences to learn and grow through the films and writings featured in this program—inviting thoughtful debate, diverse perspectives, and deeper exploration of legal and ethical ideas.
The Golden Horse Film Festival is Taiwan’s largest and most prestigious film event, with a long-standing history and growing international recognition. In 2020, the festival featured 176 outstanding films from over 50 countries and regions. From this rich lineup, Giloo has carefully selected 10 remarkable titles—ranging from auteur-driven feature films and issue-focused documentaries to experimental works that playfully reimagine cinema history. We invite you to revisit these standout selections and relive the highlights of the festival.
The "Two Covenants" refer to the International Covenant on Civil and Political Rights (ICCPR) and the International Covenant on Economic, Social and Cultural Rights (ICESCR), which have been in effect in Taiwan for over a decade. At their core, both covenants aim to protect human rights. But what exactly are human rights? And what rights do these two covenants cover? The answers are far too complex for a quick explanation—so why not start with a film? The right to life, children's rights, environmental rights, freedom of assembly, rights of the elderly… The scope of the Two Covenants is as diverse as this film program itself. By watching any of the featured films and filling out a short questionnaire afterward, you’ll gain a deeper understanding of the human rights principles within the covenants—and you’ll also have a chance to enter our prize draw! Let’s begin this journey together— and explore the many dimensions of what human rights truly look like.
There are no absolutes in this world—not when it comes to life, nor to the environment. May we all be granted a beautiful pair of eyes—to see different truths, to reflect on different values. Like a kaleidoscope, the heart holds many shifting facets. And in that ever-changing view, we learn to see more fully.
On March 18, 2014, the Sunflower Movement’s occupation of Taiwan’s legislature sent ripples across society. But what happened afterward? Our Youth in Taiwan offers an intimate look back at that pivotal moment. In June 2019, discussions around media monopoly resurfaced—This Is Not a Movie may help deepen your understanding of the power and influence of media today. Later that year, the acclaimed series The World Between Us sparked widespread reflection on social issues. To continue that dialogue, Me and My Condemned Son offers a powerful perspective on capital punishment. In May 2019, Taiwan became the first place in Asia to legalize same-sex marriage. Memorandum on Happiness revisits the story of Taiwan’s first public wedding between a gay man and a lesbian woman, revealing their family’s unique journey. And finally, Man Made introduces four transgender bodybuilders, each proudly standing on stage and sharing their deeply personal experiences of identity, strength, and pride.