1992
Golden Horse Awards
最佳原創電影音樂
最佳原創電影音樂
新銳導演銅櫻花獎
評審團特別獎
蛋堡總說自己是個任性的人，這個頭銜出現在自立門戶的廠牌和專輯外盒，那句「他這個人就是很任性啊」的叨念更被做成 Signature Sound。去年摘下金曲歌王的他，不同於先前時隔七年的沉澱，這次沒讓聽眾苦候太久，便端出任性的人出品的第二張專輯《LOOPS for LIFE VOL. 1》。
作為蔡明亮電影世界的原型，處女作《青少年哪吒》對於小康之家的塑造，非比尋常。老夫少妻的雙親來自不同省籍與歷史文化的婚姻結合，孕育了李康生——這位蔡明亮電影永遠的繆思——格外與眾不同的體質與稟氣。
Ming-liang Tsai is often regarded by scholars and critics as a key figure in the tradition of slow cinema. His characters are frequently silent or reserved, and he is known for using long takes to observe them in stillness. Through the passage of real time, Tsai explores the subtle emotional responses of his characters, allowing their inner worlds to unfold in silence and space.
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The masters of cinema have walked through the river of light and shadow, leaving behind traces that time cannot erase. Their reflections on film are already sealed within every frame they captured. Giloo presents a selection of restored classics from Taiwan—films that carry not only cinematic legacy, but also fragments of memory, identity, and land. Whether these works are part of your earliest film awakenings or a first encounter, they invite you to rediscover your connection to both self and home. Step aboard the reel, and journey back to the golden years—belonging to both Taiwan, and to cinema itself.
In a foreign city, I watched film after film. Each story, tenderly written, spoke of home and youth—and more than once, I found myself in tears in the darkness of the theater. I thought of the faraway South, of streets I once raced through, of words once spoken, of songs once sung. In this constant loop of remembering and returning, I heard the call of a life that can only be lived once. Summer is ending, and soon I will leave this place again. I’ve chosen five films—a quiet offering, for the teenager you once were.
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In pursuit of happiness, we sometimes end up unhappy. Youth is always dazzling—and cruel. Family ties are always volatile—and tender. Yet it’s often only in the aftermath of youth that we begin to understand: happiness cannot be frozen in time. This sticky, sun-drenched summer, Giloo presents 11 masterworks on family and fleeting joy—beginning with Shunji Iwai’s All About Lily Chou-Chou and closing with Edward Yang’s Yi Yi. From Ang Lee’s Father Knows Best trilogy to Tsai Ming-liang’s Water Trilogy, with appearances by Hou Hsiao-hsien and Hirokazu Kore-eda along the way, each film explores the paradox of happiness, or perhaps the quiet truth that happiness—like memory—can never be held still.
I want to understand the why, the when, and the how behind these people and these stories. The more we know, the clearer we become about what we want—or don’t want—and where we’re headed. For me, knowing is a form of pleasure.