.jpg&w=3840&q=75)
Giloo Classics: Family Happiness
In pursuit of happiness, we sometimes end up unhappy. Youth is always dazzling—and cruel. Family ties are always volatile—and tender. Yet it’s often only in the aftermath of youth that we begin to understand: happiness cannot be frozen in time. This sticky, sun-drenched summer, Giloo presents 11 masterworks on family and fleeting joy—beginning with Shunji Iwai’s All About Lily Chou-Chou and closing with Edward Yang’s Yi Yi. From Ang Lee’s Father Knows Best trilogy to Tsai Ming-liang’s Water Trilogy, with appearances by Hou Hsiao-hsien and Hirokazu Kore-eda along the way, each film explores the paradox of happiness, or perhaps the quiet truth that happiness—like memory—can never be held still.
源自於「紀錄」的發音,是台灣唯一以影展及議題為導向的影音平台,搜羅台灣與全世界最重要的電影,致力打造影迷與知識影像的文化社群。
11 films

All About Lily Chou-Chou

A Brighter Summer Day

Nobody Knows

Pushing Hands

The Wedding Banquet

Eat Drink Man Woman

The River

Rebels of the Neon God

The Time to Live and the Time to Die

Still Walking

A One and a Two (Digitally Restored Version)
Popular
Those irreversible slices of life
Recently, in a novel I've come to love, I found myself grasping the weight of life's slices. In the story, there is a wicked sorcerer who freezes people in the instant just before tragedy strikes—suspending everything, sealing it into a crystal ball, and building an entire museum from these frozen moments. And isn't film, in its own way, just as cruel? As viewers, we are little more than instruments for collecting tissue slices—slipping into a character's world for a single fleeting moment, wandering through it in passing, only to return, in the blink of an eye, to the reality that is our own.