Director
1:14:16 J與林文月老師的先生 由馬奈的畫作開頭，述說很有意思的想法形成系統的過程，一個實驗性的書寫體驗，由畫作的繪畫方式帶領故事角度，但他們同樣都是送給觀賞者的禮物。
1:00:40 那我說我好像在跑馬拉松，你一停就會再停，所以我必須要跑。 如果有什麼假期，我就在那個時候更努力地多做幾期，暑假多做一點，就這樣子，好像自己攢一點零用錢在那裡。 很忙的時候也可以應付。
55:03 在翻譯《源氏物語》的時候吧，我不能夠只是我自己，我要聽聽清楚，作者紫式部是用怎樣的方法講出來，怎樣的語調講出來，甚至於是用什麼顏色。
53:23 學術研究到底是什麼?以及學術生活與學術心情又是怎樣的拘謹與重複，內心又是怎樣的欣喜與驕傲，好想知道，真的知道並帶走 。
33:17 洛陽伽藍記
32:52 你看一個問題的話，如果多一點語言的背景的話，你會思考得多一點。
59:44 梅花和歌
The documentary seeks to use film as a medium to preserve and share the lives and legacies of prominent Chinese-language writers. Guided by each director’s unique cinematic language, these films transform literary masters into cinematic texts—introducing their voices to new generations of readers. The project goes beyond archival preservation. It aims to reveal how these authors and their works continue to move and inspire, carrying powerful resonance through the shifting tides of history—ultimately becoming a literary and cultural heritage for future generations.
Philosophers have long used ideas like yin and yang or lightness and weight to explain the makeup of the world. Here, I’d like to offer my own theory: the world is made up of big trees and little squirrels. The big tree stands silent, steadily pointing toward the sky. The squirrel darts between the branches—lively, charming, constantly complaining, and just a little annoying. As for me, I’m more like a complicated machine. Beyond the forces of family background and social conditioning, my free will flickers—barely there, yet stubbornly refusing to give in. Pulled in both directions, my mind constantly sways between the tree and the squirrel. That’s why I’m often drawn to films with depth and gravity—stories grounded in the weight of personal histories and quiet resilience. And especially when I come across characters who are even more chaotic squirrels than I am—that feeling of comfort? So real. So good