2005
Mainichi Film Concours（毎日映画コンクール）
大藤信郎獎
大藤信郎獎
年度動畫大獎
本文以湯淺首部動畫長片《心靈遊戲》（2004）為例，試圖將形式美學分析降至次要，著重檢視電影敘事的散文特質，並將其與散文敘事特質明顯、改編自文學家森見登美彥論著的《春宵苦短，少女前進吧！》與《四疊半神話大系》對照，提出分析湯淺作品的另種可能。
I love the beauty and knowledge found in films. People from different times and cultures continue to face an unknown future. As the stories unfold, the world always surpasses my imagination. I constantly seek out and find solace in meanings that are friendly, interesting, and profound.
A deadly race to crown the fastest racer in the universe is about to begin. Can a cool-headed, hot-blooded dreamer win it all? Set in a hyper-realistic Tokyo, how do human nature and dark desires coexist in a city steeped in sin? When death and fear shroud the metropolis, who can take down the monstrous entity born of our times? Giloo brings together the visionary works of Japan’s legendary animation masters — Katsuhiro Otomo, Satoshi Kon, Masaaki Yuasa, Koji Morimoto, Tensai Okamura, Hideyuki Kikuchi, Yoshitaka Amano, Yoshiaki Kawajiri, and Kenji Koike — inviting you to enter the surreal, electrifying worlds they’ve created.
In Taipei, literature is free—and always has been. Precisely because literature has no fixed answers or interpretations, its boundaries are omnipresent throughout life. What we need, perhaps, is a pair of wild eyes—to confront directly or approach obliquely the myriad forms of literature. Lo Fu pioneered a new landscape in Chinese poetry with his unique narrative style; director Chen Yu-hsun cultivated a distinctive Taiwanese romance with his focus on ordinary people and fantastical black comedies; performance art godmother Marina Abramović, fashion maverick Alexander McQueen, and acclaimed director Emir Kusturica all unleashed their thoughts from their bodies, transforming them into immortal art itself. Even a farm can become a rock base, mind-bending animated masterpieces, with minds ready to blossom. The Taipei Literature Festival presents a selection of 7 works, inviting you to freely roam and unearth the vibrant literary energy within visual storytelling.
Isolated by the vast ocean, Taiwan has preserved the insularity and self-evident nature of its micro-evolutionary cultural identity. At the same time, its ever-shifting landscapes and unique geopolitical position have long subjected the island to waves of diverse cultural influences. As a result, the people of Taiwan have developed remarkable adaptability in sharing resources and integrating cultures, along with a high receptivity to external information. These vivid and agile characteristics are deeply embedded in Taiwan’s cultural DNA, shaping what we call its unique form of “elastic connectivity.” For the 2023 Taiwan Design Week, the Taiwan Design Research Institute collaborates with Giloo Documentary to present an online film program. Curated by Frank Huang, Cho-Hao Wu, and the curatorial team, the selection of films explores possibilities of departure and displacement within the tension between the virtual and the real. This program urges us to reflect on the essence of creation in an age defined by rapid consumption and AI-driven change, engaging with a contemporary world saturated in virtual fantasy through critical and poetic dialogue.
Drifting along the blurred edges of consciousness— Remembered in sleep, Forgotten upon waking. The beginning is lost, The ending unknown. Verses linger like scent, Images revive forgotten touch. When the senses blur truth and illusion, When light and shadow, good and evil, no longer beg to be divided— All I want is to dive deeper into myself.