51:58 2016年的電影，2026年才看到，有點相見恨晚。這部片我也花了許多時間才慢慢看完，主要是太難過了，每一個片段都得停下來思考，同時被強制和自己過去成長的經歷產生連結，必須時時處理那些回憶產生的情緒。
垃圾問題直到現在都還是一個難解的議題，儘管處理這些困難的技術相較於過去已經進步不少，但總覺得無論怎麼處理垃圾，最根本的還是必須盡可能減少垃圾產生，但這只是自己的淺見，實際上我還未能多深入探討這個議題。
關於導演王久良的背景故事，那種對真實事物長期紀錄並揭露予大眾的毅力和用心更讓人感到敬佩，那股正義股配上行動，包含為了呈現真實給大家，遠赴他國、了解塑料化學等等知識，很有勁，多令人感動。
而關於家庭與孩童生活、受教育問題，可以討論更多。很多時候其他人阻礙你飛翔，是因為他們害怕你飛得太高、離他們遠去，又或者怕你強過他們，剩下孤苦伶仃的自己。we don’t know, but the painful and heartbreaking truth is so real .
又當他說：「人再窮，窮的有眼，窮人養的兒女個個都是聰明的，個個都是關心的，就是沒上過學啊，就是差一點上學識字了。」你覺得父親會不曉得嗎？他曉得，只是他不敢、也無能做出什麼。
我不想用社會底層或什麼標籤來形容，我只想說觀影過程中感受到的是一種延綿深長的憂愁，以及難受的無奈。
去看看這部片吧！
35:22 I don’t really know how to talk about this film.
It doesn’t feel right to say it’s “good” or “not good.”
That kind of language feels too light for something like this.
So many of the images weren’t just recreated—they were real. And what’s harder to sit with is that these kinds of moments aren’t over. They’re still happening, somewhere, to someone. War didn’t end with the film.
I keep feeling like the more I try to describe it, the more it turns into a kind of consumption. Like I’m turning something heavy into something shareable, and that makes me uncomfortable.
But I was really moved by Lee.
Not in a dramatic way—just… the fact that she stayed. That she kept looking, kept documenting, even when everything in a person would probably want to turn away. There’s something about that kind of determination that stays with you.
I guess I don’t have a conclusion.
Just that I’m still thinking about it, and maybe I will be for a while.
