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Flash Forward 前景娛樂
楊曜愷導演： 《叔・叔》聚焦於愛情和「櫃中人」的經歷，而《All Shall Be Well》則關注婚姻權利和家庭關係。我為這兩部影片進行採訪時，受訪者的分享反映了這些不同的焦點。我注意到，男同志更常談及一段情和社會觀感，而女同志伴侶則更常分享關於她們親密關係的細節。 一開始，我擔心自己無法真實地呈現女同志的經歷，但幸運的是，我與我的朋友鄧蕙芝合作，她是文化研究學者，正在為她的新書《同聲同氣：香港年長女同志口述史》進行研究。她為我引薦了受訪者，甚至參與了劇本的讀稿，提供了寶貴的意見，幫助我更真實地呈現女同志的情感。 （原文為英語，以AI翻譯成中文呈現） Suk Suk focused on love and the experience of being "in the closet," while All Shall Be Well centers on marriage rights and family dynamics. My interviews for each film reflected these differing focal points. I noticed that gay men often discussed flings and societal perceptions, whereas lesbian couples shared more intimate details about their relationships. I initially worried about authentically portraying lesbian experiences, but I was fortunate to collaborate with my friend Denise Tse-Shang Tang, a Cultural Studies professor researching for her new book 《同聲同氣：香港年長女同志口述史》. She connected me with subjects for interviews and even participated in table reads, providing invaluable feedback that helped me portray lesbian sentiments accurately.