Give her where to stand, and she will move the world.
As a female creator, what troubles me most is constantly facing categorization and labeling. Some even question whether I am too immersed in “lowercase,” dollhouse-like stories. But I believe that emotions often spoken about in private spaces are no less public in significance, and that ordinary life is not necessarily safe or uneventful. The five films I’ve selected all carry elements of the “feminine,” the uncanny, and the simultaneously mundane and surreal. At different points in my life, each of them has either explained or illuminated a lingering question, helping me better understand who I am—and where I’m headed.
長居台中。著有《你的孩子不是你的孩子》、《上流兒童》、《可是我偏偏不喜歡》、《我們沒有祕密》、《致命登入》。在博客來OKAPI寫了好幾年的書評。喜歡鸚鵡、刮刮樂、宮崎英高的魂系遊戲。期待「女性」有朝一日不再被視為「類型」一種。
5 films
We Need to Talk About Kevin

Still Tomorrow
Mama Pingpong Social Club

Margaret Atwood: A Word after a Word after a Word is Power
Amelie
Popular
Kinda Loser-ish, But Kinda Nice
“Lu-se” (魯蛇, Taiwanese internet slang borrowed from the English word “loser”) seems to have become a dead word. You rarely hear anyone say it anymore, and I’m not sure why. I don’t think the term can be understood simply as the English “loser.” In the way it’s used in Taiwan, it seems to carry a touch of self-deprecating humor, and that’s a quality I really love. The films above are the ones that, to me, have that feeling.