What We Talk About When We Talk About Film
Films are not just windows for viewing; they're also mirrors for self-exploration. Under the theme ''Films About Films,'' we invite you to delve into the dialogue between image and narrative. While Godard subverts visual logic through deconstructive grammar, Nobuhiko Obayashi explores cinema's potential as a vessel for historical memory with his fantastical and bold style. Through these meta-works, embark on a profound discussion about the essence, meaning, and future of film.
AuthorGiloo紀實影音源自於「紀錄」的發音，是台灣唯一以影展及議題為導向的影音平台，搜羅台灣與全世界最重要的電影，致力打造影迷與知識影像的文化社群。
8 films
Labyrinth of Cinema
It's a Flickering Life
Godard Cinema
Official Competition
Lee Chang-dong: The Art of Irony
Close Your Eyes
Face Taiwan: Power of Taiwan Cinema
Our Time Our Story: 20 Years' New Taiwan Cinema
Popular
Those irreversible slices of life
Recently, in a novel I've come to love, I found myself grasping the weight of life's slices. In the story, there is a wicked sorcerer who freezes people in the instant just before tragedy strikes—suspending everything, sealing it into a crystal ball, and building an entire museum from these frozen moments. And isn't film, in its own way, just as cruel? As viewers, we are little more than instruments for collecting tissue slices—slipping into a character's world for a single fleeting moment, wandering through it in passing, only to return, in the blink of an eye, to the reality that is our own.