2017
Sheffield International Documentary Festival
環境議題獎｜觀眾票選獎提名
Directed by 馬克・格列科
血色亞馬遜A River Below. 剛開始看的時候，我以為是血色海灣的亞馬遜版本，一樣都是替保育動物行動，只是後面的議題比我想像中的廣‧ 當地的粉紅河豚遭到獵殺只為了做成魚餌，為了當地漁業利益讓粉紅河豚數量快速走向滅亡，為了動物保育的理查在嘗試了很久之後終於拍攝到殘忍畫面放上電視，但雖然之後有法律保護後卻也讓當地原住民生活有了麻煩‧ 鏡頭裡看出某村原住民因為幫忙理查結果讓自己的生活困難，說理查當初說好會讓一切變得更好卻換來收入問題和遭到破壞體制的復仇恐懼，而理查面對製作團隊質疑時表現出自己終於有讓計畫前進卻被另眼看待的不滿，雖然原住民和理查之後對談的和解算是讓這部分做個不錯的結果，只是讓人懷疑的是，理查在不擇手段後吃到甜頭，是否還會繼續在搞一次花招是我最大的懷疑‧
榮獲許多國際紀錄片影展獎項與提名的《血色亞馬遜》，不僅在談亞馬遜盆地中粉紅海豚的保育問題，更透過呈現促成保育的不同手段來引發討論與反思。知名的電視明星理查，選擇以喚起大家同情的民粹方式，記錄下海豚被屠殺的畫面來促成立法；學者則是用科學研究客觀地呈現數據而創造⋯⋯
"Anthropocene" is a collaborative production by the Art Gallery of Ontario, the National Gallery of Canada, and Italy's MAST Foundation in Bologna. It utilizes breathtaking images, films, and immersive experiences to convey humanity's impact on the Earth. The exhibition features works co-created by internationally renowned photographer Edward Burtynsky and acclaimed documentary filmmakers Jennifer Baichwal and Nicholas de Pencier. In addition to its exhibition in Canada, the show toured Italy, Sweden, the Netherlands, and Argentina from 2020-2023. This touring exhibition in Taiwan marks the first time that local artists Chi Po-lin, Yang Shun-fa, Lucas, and Lu Yu-jui have been included, collectively exploring the impact of the "Anthropocene" on the planet and re-examining the relationship between human-made landscapes, geological changes, and natural ecosystems.
Humans pride themselves on being "rational animals," yet in waving the banner of reason, how often do we overlook the passions and turbulence that defy reduction? Are our actions truly as orderly and logical as we believe? At what point does the pursuit of order and truth tip into the realm of madness? Perhaps "strangeness" is an essential part of being human — and the boundary between reason and insanity is far thinner than we imagine.