2018
Taipei Film Festival
最佳紀錄片提名
最佳紀錄片提名
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《街頭》與《建設未完成》，是近年來處理街頭運動跟青年參政的兩部優秀紀錄片。前者聚焦太陽花運動（318 運動）當時立院外以台大社科院為根據地的一些學生，觀察他們在那二十多天內複雜忐忑的心緒；後者則亦步亦趨追蹤社運人士王鐘銘參選淡⋯⋯
2018 年在台灣國際紀錄片影展（TIDF）中，國家電影中心與公共電視合作，啟動了「時光台灣」計畫，邀請了 14 位青壯導演，以老舊檔案影像為底，拍攝全新的短片──佳作極多，新舊彼此打磨劃擦而生的火花，令人驚艷。傅榆的《不曾消失的台灣省》即為「時光台灣」之一，看完之後我極為驚喜：這真是一部極為「政治不正確」⋯⋯
2018 年，傅榆導演及江偉華導演分別以《我們的青春，在台灣》與《街頭》兩部紀錄片，不約而同地回應了 2014 年的 318 運動及攻佔行政院事件。不過，這兩部紀錄片的拍攝起因皆非 318 運動本身，而是與片中青年世代的長久情誼，因此電影的整體敘事，也都渴望掙脫事件特殊性，轉而關注籠罩在事件當中的人性之難⋯⋯
九〇年代末我在讀大學，有個對我當時生活來說頗不那麼陌生的夜晚，我突然生出了一股不耐，回頭看，那股不耐像是個起點，在接下來的日子裡，我（被）以暴力的方式逐漸脫離我學著加入信仰但其實不太了解的組織⋯⋯
日前《端傳媒》針對六四事件出了系列報導，其中一則，是訪問多位攝影師對六四的記憶。編輯台將這則報導題為「多重曝光」，希望將時空拉回當下，為記憶的場所一次次添增複雜。複雜意味深長——不只是分歧的述說、人物的多元，更關鍵的是評論人夕岸對不同政治立場之於六四僵化言說的提醒：「越是強調人民不會忘記，真正的⋯⋯
《街頭》是一部關於318運動的電影，但與其說是一部紀錄318運動的電影，倒不如說是一部紀錄幾位318運動參與者的電影。導演主要的目光，不是放在318運動整體過程的紀錄和呈現，反而圍繞在幾位年輕的運動參與者——張勝涵、張之豪與他們的夥伴——的紀錄上面。
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