Taipei Film Festival
最佳紀錄片提名
最佳紀錄片提名
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《街頭》與《建設未完成》,是近年來處理街頭運動跟青年參政的兩部優秀紀錄片。前者聚焦太陽花運動(318 運動)當時立院外以台大社科院為根據地的一些學生,觀察他們在那二十多天內複雜忐忑的心緒;後者則亦步亦趨追蹤社運人士王鐘銘參選淡⋯⋯

2018 年在台灣國際紀錄片影展(TIDF)中,國家電影中心與公共電視合作,啟動了「時光台灣」計畫,邀請了 14 位青壯導演,以老舊檔案影像為底,拍攝全新的短片──佳作極多,新舊彼此打磨劃擦而生的火花,令人驚艷。傅榆的《不曾消失的台灣省》即為「時光台灣」之一,看完之後我極為驚喜:這真是一部極為「政治不正確」⋯⋯

2018 年,傅榆導演及江偉華導演分別以《我們的青春,在台灣》與《街頭》兩部紀錄片,不約而同地回應了 2014 年的 318 運動及攻佔行政院事件。不過,這兩部紀錄片的拍攝起因皆非 318 運動本身,而是與片中青年世代的長久情誼,因此電影的整體敘事,也都渴望掙脫事件特殊性,轉而關注籠罩在事件當中的人性之難⋯⋯

九〇年代末我在讀大學,有個對我當時生活來說頗不那麼陌生的夜晚,我突然生出了一股不耐,回頭看,那股不耐像是個起點,在接下來的日子裡,我(被)以暴力的方式逐漸脫離我學著加入信仰但其實不太了解的組織⋯⋯

日前《端傳媒》針對六四事件出了系列報導,其中一則,是訪問多位攝影師對六四的記憶。編輯台將這則報導題為「多重曝光」,希望將時空拉回當下,為記憶的場所一次次添增複雜。複雜意味深長——不只是分歧的述說、人物的多元,更關鍵的是評論人夕岸對不同政治立場之於六四僵化言說的提醒:「越是強調人民不會忘記,真正的⋯⋯

《街頭》是一部關於318運動的電影,但與其說是一部紀錄318運動的電影,倒不如說是一部紀錄幾位318運動參與者的電影。導演主要的目光,不是放在318運動整體過程的紀錄和呈現,反而圍繞在幾位年輕的運動參與者——張勝涵、張之豪與他們的夥伴——的紀錄上面。
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Oh, the allure of looking back and reminiscing for better days gone by… Nostalgia develops in us sentimental creatures for a multitude of reasons, be it dissatisfaction of the present, an impending doom for the future, or the painful realisation of past mistakes. The most poignant form of nostalgia materialises when the present has passed the point of no return. Force majeure and the ones that got away. Films on the list captured distinct era in the personal or societal past, that shine light on our inescapable present, for better or worse. Might we become better beings when we come out from the other side. “If we should weep when clowns put on their show, If we should stumble when musicians play, Time will say nothing but I told you so.” If I Could Tell You - W.H. Auden
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