Venice Film Festival
地平線單元競賽最佳紀錄片

Directed by 杜海濱
地平線單元競賽最佳紀錄片
「災區人民偷舊屋金屬」與「政府拆除舊屋」並進。地震對政府來說是逼人民吐出土地以重新規劃城市的藉口。 被做重點的模範村,當作災後重建的樣板,使其他地區的人民以偏概全,不知樣板外的真實窘迫模樣。 政府「橫起賭氣」,不讓外國救援資源進入,要自己處理。而災民在憑著僅剩或匱乏的資源硬撐(從豬隻、取暖的木材可看出)。 災民們不斷委婉的抱怨:「政策是好,但下來就變了。」很多死者都還沒從傾圻屋瓦中掏出來,汶川震後倒是掏出官員的醜態,與官員粉飾太平醜態的醜態。溫總理視察災區宛如電視娛樂節目明星現身;或甚至說,整個災區都像中國的電視娛樂節目,甚至成為觀光景點。災民只能更廉價的消費自己,才能活下去。尊嚴被踐踏的如震壞的路上久久淤積的爛泥。 今天是汶川大地震17周年。
1428 汶川大地震在後紀錄片,不走逼觀眾流淚的風格,而是見識災後的各種現象,不論是官員的可笑還是災民的生活中的荒謬,還是對災害的見解呈現,生命在悲劇過後的各面相‧

10 年,是個可以讓人從事件與行動的激昂情緒中冷卻,從更大層面反思的過程。2008 年發生在中國四川、造成無數民眾傷亡的汶川地震迄今 10 年,近日除中國官媒報導紀念儀式,香港網路媒體「端傳媒」亦進行「川震十年」⋯⋯
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