Cannes Film Festival
金棕櫚獎
Directed by 艾米爾・庫斯杜力卡
金棕櫚獎
「你瘋了嗎?兄弟相殘是一種罪!沒有戰爭比手足相殺更殘忍了。」這句台詞來自1995年拿下坎城金棕櫚獎的電影《地下社會》,導演庫斯杜力卡以魔幻奇觀的黑色喜劇,描繪戰火無情與人性荒謬。 塞爾維亞籍的庫斯杜力卡,創作關懷脫離不了對戰爭的控訴,對獨裁者政權亦是極盡嘲諷,然而弔詭的是,深知戰火塗炭生靈的名導庫斯杜力卡,卻讓外界極感矛盾地與俄羅斯強人普丁交好。 庫斯杜力卡與普丁交情匪淺、惺惺相惜的逸聞,成為國際影壇對這位「反戰導演」最感困惑和抵制的謎。
「每次一開始我都想拍喜劇,但最後總是不如我所願,拍成了悲劇。」——《地下社會》導演艾米爾.庫斯杜力卡
狂歡的人們沒有察覺,他們所依附的土地已從大陸上分裂開去,在漫無邊際的水面上越漂越遠。庫斯杜力卡無言地告訴觀眾,這就是他祖國的命運。他無休無止的玩笑其實只是在緩和內心深切的創痛。
#新片上架 #地下社會 #庫斯杜力卡 名導艾米爾庫斯杜力卡傳奇神作。世界大戰早已經結束,在地下,他們卻以為戰火仍在延燒⋯⋯。 ▍地下社會 Underground ▍線上看 ☞ https://bit.ly/3PpCMRI 馬可和阿黑曾是攜手對抗納粹的革命兄弟,直到他們同時愛上了女星娜塔莉。起初,馬可為了救阿黑,將他藏在自家地下室,沒想到這一躲就是二十年。世界大戰結束後,馬可如願和娜塔莉結婚。在地上,馬可讓世人以為阿黑是死去的英雄;在地下,阿黑卻以為戰爭仍未結束,革命的火種將由他延續⋯⋯名導艾米爾庫斯杜力卡巔峰之作。戰火浮生,所有荒謬倒錯都可能成為現實。
The kind of person you are shapes the kind of film you make—with Sagittarius directors, this couldn’t be more true. At 19, I watched a film by Emir Kusturica, and it completely changed the way I thought about filmmaking. The first time I attended a film festival, I was “shocked” by the featured director, Terayama Shūji. I stumbled into film school by chance, but it was in a film analysis class that Yasujirō Ozu’s black-and-white depictions of family life stirred memories from my childhood. Later, on my own filmmaking path, I was left speechless by Kim Ki-duk’s rapid production pace and prolific output. Thank goodness for cinema! For a freedom-loving, wildly imaginative Sagittarius like me, filmmaking is how I express the spirit of adventure, passion, and courage that defines who I am.
The 76th Festival de Cannes officially kicked off in 2023, bringing together filmmakers and cinephiles from around the world. Before this year’s winners are revealed, Giloo invites you to revisit 15 unmissable international gems from past editions—essential viewing for any Cannes enthusiast.