災難
25 films
Chillnobyl
CRIMES THAT MADE HISTORY : Flight 571: The Acceptable Face Of Cannibalism
When the Light Breaks
Death on the Matterhorn
The Eruption: Stories of Survival
DAM 999
Ponyo On The Cliff By The Sea
The Birthday Banquet
Judgement
Princess Mononoke
Junk Head
Shit Saves the World
Howl's Moving Castle
It Feels So Good
Fallen City
The Sacrifice
Drive My Car
Good Day
Future Shock
Wheel of Fortune and Fantasy
Spotlights
Forced to Flee. Refugee Documentaries
Exiles trapped day after day in concrete jungles. Border dwellers divided by three towering walls. Survivors of ethnic cleansing, still carrying the weight of loss. The world has never been fair—so where can those without a home find peace, safety, and dignity? Through the lens of documentary film, these displaced lives come into focus. They are no longer just cold statistics, but people with names, faces, and stories. In a year marked by upheaval, when the value of peace feels especially fragile, join Giloo in reflecting on the suffering of the stateless—and the greed that so often leads to tragedy.
詩意與信仰：塔可夫斯基的最後《犧牲》
作為二十世紀最負盛名的俄國導演之一的安德烈・塔可夫斯基（Andrei Tarkovsky）一生僅拍七部半電影，因政治因素流亡海外多年。他以詩意的長鏡頭、後現代主義敘事方式與形而上的主題見長，相信拍電影即是用影像「形塑時間的樣貌」。
K Series
In response to the partial reopening during the 2021 pandemic, the Kaohsiung Film Archive launched the “K Series” project—a collection of ultra-short films titled with the letter “K.” The “K” stands for both Kaohsiung and the spirit of “K.O.”—knocking out all restrictions and limitations brought by the pandemic. Shot entirely in Kaohsiung and produced in less than two months, these short films overcame countless obstacles during the COVID era. Each bite-sized story bursts with creative power, reflecting the life struggles five emerging directors sought to break through—be it the fading traces of the old city, familial bonds in a movie theater, generational conflict between mother and daughter, the desolate search for queer desire in an apocalyptic world, or the vicious cycle of gossip and rumors in the internet age. With each story shaped by a distinct directorial voice, the “K Series” showcases the boundless creative possibilities that emerged in the shadow of a global crisis.
呼吸是你的臉：濱口龍介《睡著也好醒來也罷》
濱口龍介的電影《睡著也好醒來也罷》改編自日本作家柴崎友香的小說，「讀到最後，必定會為朝子那不可思議的自私而吃驚吧。」記得書裡的附錄有過這麼一句評論。這部作為濱口龍介在台正式上映的第一部電影，迴響稱不上熱烈，直到東出昌大和唐田英里佳爆出不倫，這部片才在新聞裡再度被提起。而東出面對「喜歡杏還是唐田？」的地獄提問，說出了「我的想法會傷害妻子。」驚人般的誠實之語——如此看來，他實在很適合活在濱口的電影裡呀。
共通的魔法：《偶然與想像》的「短篇小說術」
《偶然與想像》主要有推動敘事的三個偶然，分別為：朋友喜歡上前男友、發錯信件、在故鄉將陌生人誤認為同學。不過，濱口龍介卻疊加更多巧合，來讓這些偶然的意義浮現，比如和朋友下午茶時偏偏遇見前男友、多年以後遇到唆使仙人跳的砲友等等。一系列的偶然沒有讓故事失重，反而提供了一個在高度管理的時間、機械化的行程表之外，看見生活不同面貌的窗口。這樣的處理手法也常見於短篇小說，利用偶然做為契機，靜靜擾動日常，到達啟蒙般的時刻。
《說故事的人》與「說故事會」：多重世界的套疊
《說故事的人》一開始，透過鏡頭擺置的高度，觀眾仿若在一個「說故事會」（お話会）的現場就座。此時小野和子充當主持，由伊藤正子、佐藤玲子和佐佐木健三人輪流講述故事，其中還包含兩個從屬於同一個故事文本的異文（variants）。他們不互相插嘴，也不去質疑，只是輪流將故事按時間並陳。