1981
Academy Awards (Oscars)
最佳外語片提名
最佳外語片提名
最佳外語片提名
最佳影片、最佳導演、最佳男主角、最佳女主角、最佳劇本、最佳攝影、最佳配樂、最佳剪輯、最佳製作設計、最佳音效｜最佳男配角、最佳女配角提名
French New Wave pioneer François Truffaut made an unforgettable debut with The 400 Blows, winning Best Director at the Cannes Film Festival. This semi-autobiographical film marked the beginning of his celebrated “Antoine Doinel” series, chronicling a boy’s journey from youth to adulthood. The 400 Blows not only ignited the French New Wave—it remains one of Truffaut’s most iconic masterpieces. In Jules and Jim, a love triangle between two men and a woman unfolds with poetic grace, establishing Truffaut’s reputation as a creator of utopian romances. Later in his career, The Last Metro—set in Nazi-occupied Paris—won the César Award for Best Film and stands as a mature, poignant work from his final years. Giloo presents a curated selection of three essential Truffaut films—timeless classics from a filmmaker who reshaped the language of cinema, in France and beyond.
Try entering the keyword "intellectuals" and shift the timeline to the period after the Cultural Revolution. What kind of landscape emerges from the intricate intertwining of history and individual lives? Is it the yearning for freedom, the pursuit of art, unrestrained sexuality, or perhaps the spoken and unspoken madness and rebellion between people? The 1980s can truly be called a magnificent cultural renaissance for China.
In Anton Chekhov’s The Seagull, dreams, work, and love intertwine. Life is a constant pursuit of purpose—despite the frustration, the failures, and the sense of helplessness that may await. Yet we keep struggling, relentlessly. Absurd? Perhaps. A comedy? Undeniably. And that, too, is life. The characters on stage may not be as mad as the world we live in, yet their stories mirror our own. In the illusion of theater, we often glimpse the truest reflections of ourselves