Outside the group | Sonic Deadhorse Cheng Ko-chun's Picks
Being marginal is a stance; minority is inherently political. There are fictional representations that peddle a loser's vibe, and there are intimate body memories that commemorate secrets others aren't really that interested in knowing. There’s nothing wrong with flaunting language without trying to “say something.” Anyway, we all interpret ourselves through images, or reclaim the interpretive power that has been stolen by reels.
Author鄭各均本尊是 Sonic Deadhorse 音速死馬，除擔任吉他手之外，也能同時操控 programming、合成器，演奏風格多變，加入新興電音元素，甚至在演出現場即時運算出投影，擁有豐富的奇幻音效即興創作的能力，參與表演現場或專輯製作，僅以一人之力就能完成，堪稱是全台灣最多工處理的樂手。並拿過多座金音獎，也涵蓋配樂的製作。
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The Art of Lesbian Visibility
Taiwan has long since become the first country in Asia to legalize same-sex marriage, and LGBTQ+ lives seem to be increasingly woven into everyday life. Yet, when we turn our gaze to Asia’s mainstream media and cinema, where are the stories of lesbian women? The love left unspoken, the relationships that defy definition, and the intimacies that blur the line between friendship and romance—are they still hidden beyond the frame? And when lesbian women do appear on screen, how often are their stories truly told from their own perspectives? This time, through a collection of films, we summon those who have always been there, yet have rarely been seen. “I summon you by this name. Reveal yourself.”