Outside the group | Sonic Deadhorse Cheng Ko-chun's Picks
Being marginal is a stance; minority is inherently political. There are fictional representations that peddle a loser's vibe, and there are intimate body memories that commemorate secrets others aren't really that interested in knowing. There’s nothing wrong with flaunting language without trying to “say something.” Anyway, we all interpret ourselves through images, or reclaim the interpretive power that has been stolen by reels.
Author鄭各均本尊是 Sonic Deadhorse 音速死馬，除擔任吉他手之外，也能同時操控 programming、合成器，演奏風格多變，加入新興電音元素，甚至在演出現場即時運算出投影，擁有豐富的奇幻音效即興創作的能力，參與表演現場或專輯製作，僅以一人之力就能完成，堪稱是全台灣最多工處理的樂手。並拿過多座金音獎，也涵蓋配樂的製作。
5 films
Popular spotlights
Encore, Before the Goodbye
"My Bucket List" holds no grand dreams, only 100 little things yet undone, and a "see you tomorrow" that was never properly spoken. The same goes for "Encore: Before Saying Goodbye"—here, eternity is left unmentioned; there is only the desire to perform one last song for oneself before the lights go down. The scars of youth, the terror at the edge of the boxing ring, the wordless closeness between strangers, and the farewells quietly practiced in daily life—six films, each rehearsing the very same question: If only an encore remains, what sound do you wish to leave behind?