Outside the group | Sonic Deadhorse Cheng Ko-chun's Picks
Being marginal is a stance; minority is inherently political. There are fictional representations that peddle a loser's vibe, and there are intimate body memories that commemorate secrets others aren't really that interested in knowing. There’s nothing wrong with flaunting language without trying to “say something.” Anyway, we all interpret ourselves through images, or reclaim the interpretive power that has been stolen by reels.
Author鄭各均本尊是 Sonic Deadhorse 音速死馬，除擔任吉他手之外，也能同時操控 programming、合成器，演奏風格多變，加入新興電音元素，甚至在演出現場即時運算出投影，擁有豐富的奇幻音效即興創作的能力，參與表演現場或專輯製作，僅以一人之力就能完成，堪稱是全台灣最多工處理的樂手。並拿過多座金音獎，也涵蓋配樂的製作。
5 films
Popular
Those irreversible slices of life
Recently, in a novel I've come to love, I found myself grasping the weight of life's slices. In the story, there is a wicked sorcerer who freezes people in the instant just before tragedy strikes—suspending everything, sealing it into a crystal ball, and building an entire museum from these frozen moments. And isn't film, in its own way, just as cruel? As viewers, we are little more than instruments for collecting tissue slices—slipping into a character's world for a single fleeting moment, wandering through it in passing, only to return, in the blink of an eye, to the reality that is our own.