“As the saying goes, in martial arts, speed is everything.” To me, short animation is more than a space for experimentation and self-training—it’s where ideas are rapidly tested within limited duration, using refined visuals and sound to cut straight to the essence of storytelling. One night, I watched several shorts in a row—dreamlike and surreal, blending the absurd with realism, tenderness, and wit. Though brief and diverse in style, they leave a lasting emotional and intellectual resonance. They convinced me that short animation is a contemporary craft of speed, precision, and impact—striking straight to the core.
香港獨立電影導演、畫家,「浪頻道」及「不設劃位電影節」創辦人,推動流動放映理念,將電影帶入社區並鼓勵自主創作;其作品《無映之地》(2020)、《斜陽》(2021)及《野草》(2024)曾於社區舉辦逾二百場放映,拓展香港本地影像生態。他以低成本與實驗精神持續開拓觀影形式與社群。
一百個鮮紅的(惡)趣味
2015•United States•4 min
靈感源自村上春樹《挪威的森林》
2020•Taiwan, United Kingdom•6 min
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2019•Taiwan•20 min
金穗獎最佳動畫片
2024•Taiwan, United Kingdom•5 min
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2022•Taiwan•6 min
2012•Taiwan•16 min
Free
2015•Taiwan•4 min
2021•Taiwan•7 min