2023
Golden Horse Awards
最佳新演員入圍
最佳新演員入圍
最佳攝影獎入圍
最佳新演員 葉曉霏
World Focus 單元
Harbour 單元
台灣獎入圍
第三屆「Bonjour la France, ici Taïwan」順利落幕！本次盛會由 mk2、台灣文策院主辦，並由 Giloo 協力策展，從台灣近五年各類型電影初選後，再依照法國市場潛力精選，最終片單涵括包含《老狐狸》、《金門》、《魍神之夜》等優質影像作品，展現了台灣獨特的創作能量，搭起台法文化交流的橋樑。現場放映更邀請到兩度入圍金馬獎最佳女配角的劉奕兒親臨出席《老狐狸》映後座談，《青春並不溫柔》導演蘇奕瑄也現身與觀眾分享創作心得。另外，今年更是首度攜手 Giloo 合作線上放映（點擊觀看完整片單），不僅巴黎觀眾可親臨現場欣賞台灣作品，全球影迷都能在線上共赴這場文化盛宴！
Wherever you are, in Taiwan or abroad, you can watch with ease! Discover acclaimed films from the Cannes, Venice, and Golden Horse film festivals, plus a lineup of highly anticipated works from emerging filmmakers waiting for you to explore. Start watching anytime — no borders, no limits.
No matter where you are, not just in Taiwan, international movie fans can easily watch too! The first wave of films from emerging creators are now live in our international section. Featuring top selections from prestigious film festivals like Golden Horse Awards and Golden Harvest Awards, as well as many highly anticipated emerging works for you to explore anytime, anywhere!
When the slogans fall silent and the crowds disperse, the events do not truly end. They remain in gravestones, letters, streets, and bodies, finding their voices again through the gaze of each new generation. Rather than closing the book on the past, these moving images ask: How do we remember those who were forced into oblivion? And in this unfinished present, how might we continue to imagine the possibility of living together?
What is the relationship between art and society? Is it possible for art to exist outside of society, as a kind of “pure land”? How does art reflect the evolution of an era—or even move ahead of its time to drive change? This has been the central question I’ve explored since I first began creating. From the great creators of East and West, to protestors striving for change, and finally to local actors taking action on the ground. “Living in this era, what dreams can we still hold on to?” In pragmatic despair, I pragmatically believe that both creation and action, like water, can flow into and fill the cracks that our times so urgently need.
The land carries memories. From afar, I often think of Hong Kong’s sea and Taiwan’s mountains. The days of my childhood—doing nothing, daydreaming in the warm summer breeze—remain vividly etched in my mind. Only after growing up, only after feeling lost, did I come to realize that beneath the soil lie many complex and thought-provoking stories: stories of colonialism and postcolonialism; stories of escape and homesickness. Through stories that flow between sea and sea, mountain and mountain, we hope to invite everyone, in the new year, to reflect across nations on the meaning of land and identity.
Everything changes; the only constant is change itself. Young people who encounter life-altering upheavals face life and death, joy and sorrow. At life’s turning points, the choices they make reveal who these protagonists truly are. Within these stories, we may see reflections of ourselves—or find lives far removed from our own. Yet they always help us understand one another, allowing us, over ten to a few dozen minutes, to experience, grow, and comfort each other together. In a world of ever-shifting circumstances, perhaps cinema is a faithful companion that walks alongside us.
