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Takayuki Yamada Documentary: No Pain, No Gain

Takayuki Yamada Documentary: No Pain, No Gain

Rights
Giloo紀實影音
Director
牧有太
Year / Country
2019·Japan
Runtime
116 min
Asian PerspectivesArts & Culture2010s日本CinemaLabor & WorkDocumentary
Not available in your region/3 votes

Takayuki Yamada Documentary: No Pain, No Gain

Takayuki Yamada Documentary: No Pain, No Gain

Rights
Giloo紀實影音
Director
牧有太
Year / Country
2019·Japan
Runtime
116 min
Asian PerspectivesArts & Culture2010s日本CinemaLabor & WorkDocumentary
Not available in your region/3 votes
Rights
Giloo紀實影音
Director
牧有太
Year / Country
2019·Japan
Runtime
116 min
Asian PerspectivesArts & Culture2010s日本CinemaLabor & WorkDocumentary
Not available in your region/3 votes

Media Gallery

Cast & Crew

1 people
Director

牧有太

Film Notes

11 notes
avatar如此表達06/10/2022

續上。再補充清野通這號人物,這位漫畫家對台灣漫畫迷來說相當陌生,他的畫風與題材也不是大眾口味那種,可是意外受到喜愛......印象中某調查給了清野通類似「打敗海賊王的男人」的稱號,好像是在某段時間海賊王發行量橫掃全日本時,東京都內無法唯有赤羽無法拿下榜首,原因就是清野通的《東京北區赤羽》 清野通還有個很知名的地方,除了山田孝之喜歡他,日本「情色女王」壇蜜更和他閃婚,以及杉野遙亮也以他為靈感拍了仿紀錄片《東京怪奇酒》....這名真實面貌從未被揭露的神秘漫畫家,竟然和演藝圈有奇妙的連結,真是不可思議!

avatar如此表達06/10/2022

影響山田孝之走出低潮的,還有漫畫家清野通(清野とおる)以及赤羽的生活夥伴。 當時他看了清野通的漫畫《東京都北區赤羽》被書中真實生活裡人物的「純天然」所感動,所以主動拜訪清野通(那時候清野通簽了兩匹迷你馬來赴約...) 之後,山田孝之開啟了一段以台灣時下流行語形容「非常地方創生」的探索,這後來被拍成仿紀錄片在東京電視台播映,劇名叫《山田孝之 東京都北區赤羽》而山田孝之也為此寫了一首歌《TOKYO NORTH SIDE》 這邊可以聽 https://www.youtube.com/watch?v=9cgC6NxucHo

山田孝之 TOKYO NORTH SIDE
avatar如此表達06/10/2022

1:52:22 感嘆沒辦法陪小孩時,山田孝之默默也有打算,2020年4月全家移居到沖繩過自給自足的生活。 他說:「只專注於生存必要活動的簡單生活真的很好。」(受訪於『婦人公論』2020年4月14日號)真的是很行動派的人!

avatar如此表達06/10/2022

1:12:48 山田出演的《勇者義彥和魔王之城》是深夜聚德神作,該片是一部低預算的冒險劇,片頭直接寫了這是「預算很少的冒險題材電視劇」,沒想到從2011年播出大受歡迎,一連製作了三部,到2016才完全結束。 這部戲正因為預算很低,劇情很瞎,後製與畫質超粗,所以樂趣全在台詞與表演上,完全可以看出山田的演技,我最喜歡的片段是第三部《勇者義彥與被引導的七人》第六集的片段 https://www.youtube.com/watch?v=y1AXKkEXaxY&ab_channel=ViuHongKong

爆笑!山田孝之:「喜歡巨乳有甚麼錯!」| 《勇者義彥與被引導的七人》 Viu Hong Kong 獨家追播
avatar如此表達06/09/2022

1:12:48 來試鏡的清田果耶當時16歲,從模特兒轉入戲劇開始展露頭角,隔年在「2019爆紅女星排行榜」得到冠軍!演員出道作品是出演講述日本第一女商人故事的NHK晨間劇《阿淺來了》,清田果耶在其中飾演女僕阿冬,得獎的代表作品《我想吃掉你的胰臟》以及NHK劇集《透明的搖籃》是了解這位演員的必看劇

avatarjames@giloo12/14/2021

清原果耶參與女主角大野奈奈角色試鏡(從 500 人中海選)——所有人在等到清原離開試鏡現場之後,驚呼「太扯了,奈奈活生生在眼前。奈奈出現了」+流淚的畫面,完全紀錄導演與製作人在準備劇本三年之後,看到角色活生生出現在眼前的感動。

avatarjames@giloo12/14/2021

1:53:43 雨の中を傘もささずに走るのは|放肆在雨中奔跑,不需要撐傘——片尾曲 Rosy Days(バラ色の日々)The Yellow Monkey (1999)

THE YELLOW MONKEY – バラ色の日々
avatarjames@giloo12/14/2021

8:03 The XXXXXX——山田孝之、綾野剛、內田朝陽的チート

THE XXXXXX MV「チート」
avatarjames@giloo12/14/2021

Choo Choo SHITAIN 官方 MV。不知道歌詞裡的這些重複狀聲詞什麼意思⋯⋯ (全曲連結與截圖來源: https://www.youtube.com/watch?v=qMqkcvidX1s

  • +2

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將和岩井導演線上相會的下午,我們和連俞涵窩在直播場地一角準備進行專訪。Live House 的光線有些不足,正當煩惱該換到哪個場地時,她笑著說:「這裡好像占卜的地方。」隨後自在地入座,跟我們聊生活、聊拍戲,也聊聊自己喜歡的紀錄片。

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To document an extraordinary soul through the lens is to constantly wrestle with the dilemma of completeness. How can one capture the vastness of a life within the limited time of a film? It challenges the filmmaker’s depth of understanding and precision of perspective. Rather than striving for an all-encompassing portrait, it may be more powerful to focus on select moments—those glimmers that illuminate the subject’s essence. The camera becomes not only a tool to pierce through the surface, but also a means for sincere conversation with the person in front of it.

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Everyone feels lonely sometimes. Loneliness is, perhaps, a uniquely human emotion—one with a distinct texture all its own. Even when we're surrounded by others, the feeling of being alone can still linger quietly in the background. Some people embrace their solitude and pour it into their art. Others open up to someone else. But no matter how we deal with it, loneliness never truly disappears. I’m not someone who’s afraid of being alone. In fact, I sometimes find comfort in it. This playlist is built around people I deeply admire—artists, dancers, actors... And as I watched these films, I realized they all had their own special ways of being with loneliness. They embraced it—and in doing so, radiated an unforgettable kind of presence. These stories gave me new energy. I hope they do the same for you.

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The Future Makers Selection 2022 is now underway. We spoke to the jury about their vision of a “Future Maker”: Is it the kind of talent the world urgently needs? A bold change-maker? Or perhaps someone like Top Gun’s Maverick—fearless, unconventional, and unapologetically themselves? Every year, we search for emerging voices across Taiwan—young individuals who are reshaping what “success” means through their actions. If you're still searching for what a future leader might look like, the jurors have recommended a few films to broaden your horizons. May these stories inspire your youthful heart—and give you the courage to step into the vast world ahead.

About Takayuki Yamada Documentary: No Pain, No Gain

Director
牧有太
Rights
Giloo紀實影音
Country
Japan
Year
2019
Runtime
116 min
Tags
Asian Perspectives, Arts & Culture, 2010s, 日本, Cinema, Labor & Work, Documentary