2004
Hong Kong Film Awards
最佳亞洲電影提名
Directed by 易智言
最佳亞洲電影提名
電影中克柔其實一直對月珍抱有深藏不露的情感，從月珍正描述她的理想未來中，她「帶著我的女兒，和一群貴婦坐在一起喝下午茶，然後我的老公開門走進來」時克柔臉上些微的異樣；克柔對月珍對士豪的好感表示出的排斥；再到月珍讓克柔戴上士豪面具，練習和士豪約會時，戴上面具假扮成士豪的克柔與月珍的緊緊相擁等橋段可略知一二。克柔後來在向士豪揭示自己喜歡月珍時說道，她「喜歡月珍，對月珍很好」，但這純真的愛卻不能被他人所知，因為「告訴她我們可能連朋友都做不成了」。克柔愛著她卻又無法表明心意，只能日復一日的在禮堂柱子背後寫下「我是女生我愛男生」這異性戀霸權文化不斷灌輸的「腹（父）語」。電影末段克柔對士豪說「這世界上不是每個人都能像你一樣，這世界其實是很不公平的」，可說是道盡了心酸苦楚。
整部電影記錄了三個高中生之間青澀的戀情。一開始，林月珍幻想著未來的家庭生活時，可以觀察到孟克柔細微的表情變化，為後續的劇情埋下一個鋪墊。在結尾，孟克柔打斷了林月珍的暢想，用一個吻表達了她的愛意，但也是在意料之中的，林月珍通過驚慌和逃避來冷處理掉這份愛意。電影整體敘事比較緊凑，但是就孟克柔和體育老師之間的橋段略顯多餘。
1:18:24 「於是，我似乎看到多年以後，你站在一扇藍色大門前，下午三點的陽光，你仍有幾顆青春痘。你笑著，我跑向你問你好不好，你點點頭。三年五年以後、甚至更久更久以後，我們會變成什麼樣的大人呢？是體育老師，還是我媽？雖然，我閉著眼睛也看不見自己，但是我卻可以看見你。」—— 《藍色大門》
看完才知道藍色大門影響了多少的青春成長電影。 雖然不是每個人都能遇到張士豪，有點理想化，但我滿喜歡的。自我認同的過程，十幾歲時遇上的混沌，自以為的大人世界。 孟克柔說：「如果，你十七歲，你想的只是能不能上大學，不再是處男，尿尿可以一直線的話，你該是多麼幸福的小朋友啊。」 我十七歲以前雖然也有十七歲以前的問題，不過打從十七歲開始，事情都有了完全不同的面貌噢，像宿命一般所有問題就這麼浮現了。要是每天只是想著今天的營養午餐有沒有雞腿，放學的公車又誤點多久，早自習的數學週考猜對了幾題，真要是這樣那就好囉。 但我十七歲要面對的不只是這些，完全不同噢。
秘密掩蓋在藍色大門之後，而在某個剎那門打開了，傾瀉出那些幽暗的、不能說出口的光。 - 片中流動的情感青澀而質樸，並存著青春如獸般的欲念、由青轉熟的內斂光芒。在校園一隅的心事被謄上桌面和牆壁，宣誓自我存在、呼喊自以為的信仰理念、見證初綻的愛情。 - 而孟克柔、張士豪、林月珍遇到的愛情課題，夾雜甜蜜與酸楚，沒有尺度也沒有解方。透過情感的替身、性別角色的仿諧，角色之間互相追逐、較勁，其中因性別而衍生的顧忌和模糊曖昧，在結尾終究化作氤氳消散。殘留下的青春氣味裡，帶著清澈純粹的祝福。 - 青春年歲的綠蔭底，在腳踏車上不斷游移漂浮的身體與心靈，我們在旅程上行進著學習愛。
1:17:46 這一幕本應特別的生冷，這樣子的經營為整部片注入了一絲的活力。留白的戲以電影式的渲染地收了個尾。
1:09:35 幾乎沒有一點對白推進故事。寫實、生澀地讓故事保留在幾個年輕男女之中的內心之中，不是真的刻意不說出口，是青春的羞澀、迷茫讓整部片的化學變化更保有新浪潮的氣味。 看到主角坦然的面對自己的性向，她生活無動於衷毫無改變，一點也跟不上自己的內心。她被動地選擇隱藏，這場戲是內心對生活最為洶湧的反擊。
生動描繪出高中青澀、躁動，美好卻帶著疼痛的模樣。對愛情的初探，不確定性，呼應著青春朦朧、飄忽的質地。片中的三角戀情糾結難解，源於角色正處於一個要去重新認識、了解自己的年紀，除了對長大的迷惘不安以外，同時也面對著不知是否該壓抑的同性情感，交織出青春的五味雜陳。
每每看著孟克柔滴著斗大的汗珠奮力踩踏，望向張士豪飄著花襯衫的背影，總是偷偷地想哭。就好像能夠完全明白孟克柔的心情，為何不安、為何躁動、為何要以一種搖搖晃晃地姿態去站在二元性別之上。性別角色的異位在電影中隨著張孟兩人關係的發展慢慢現形，面對一點也不「女生」的孟，張失去了習以為常的異男應對法，時不時的扭捏與不知所措越來越常出現，直至最後兩人用「打架」代替了言語的爭執。 正是因為孟克柔的倔強與脆弱碰上張士豪的自卑與善良，在性別這件事上好像終得以被開了個口。隨著電影推進，原本競爭、拉鋸的腳踏車追逐戰漸變幻成了一場雙人舞，兩人一前一後地馳騁於臺北街頭，雖然孟克柔直至最後依然沒有贏過張士豪，但好像也沒那麼重要了， 因為暖風已經開始徐徐吹動，會吹到很遠很遠的以後。
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