2016
Guangzhou International Documentary Film Fest
最佳提案獎
Directed by 陳志漢
1:11:50 天吶！小小年紀就能拿到資遣費！
1:11:41 在一個還有犯錯餘裕的時間能夠體會到「工作」這件事的意義，不禁讓我有些羨慕嫉妒
孩子，你有多努力，你就有多少報酬。 看得見的目標清晰明確，讓在學的兒童們實驗性地調動潛力與能力，去追求價值與金錢的雙贏。 他們說，每個人來這世上走一遭都是為了找到真正的自己，並且找到「成為自己」的方式：不只是數字、不只是職銜、不只是過眼雲煙的風起雲湧。 體驗「得」與「失」，或許是金錢遊戲更重要的秘密。 孩子，別怕美好的一切消失，我們先讓它存在。
【新片上架】《文林銀行》真實校園實驗 當老師變成老闆，學生表現好就給獎金，每個月還發薪水給學生時，學校教育會變成怎樣？ 一場跳脫框架的理財遊戲，探討史無前例的教育實驗。 ▍文林銀行 ▍Bank in School ▍全片線上看 ☞ https://bit.ly/3AW8hO0
文林銀行 - 正版電影線上看｜Giloo紀實影音No matter where you are, not just in Taiwan, international movie fans can easily watch too! The first wave of films from emerging creators are now live in our international section. Featuring top selections from prestigious film festivals like Golden Horse Awards and Golden Harvest Awards, as well as many highly anticipated emerging works for you to explore anytime, anywhere!
CNEX Originals brings together documentaries produced by CNEX, telling stories from Taiwan, Asia, and beyond. From culture, history, and industry to society and individual lives, these films capture moments of change and offer distinctive perspectives on the world we share. Created from real stories and shaped by filmmakers with unique voices, this dedicated library is exclusively available to supporters of CNEX Foundation programs—inviting you to discover CNEX Originals and join us in supporting documentary filmmaking and the next generation of storytellers.
Every documentary begins with a pitch—a single sentence, a fragment of footage, an unfinished idea spoken aloud on a stage, met with both scrutiny and anticipation. CCDF (Chinese Doc Forum) is precisely such a starting point, a place where ideas are given the chance to be seen. This collection brings together works that were once presented on the CCDF stage, and which went on to complete the long journey of filming, editing, and finally reaching an audience. What began as a single pitch was shaped and refined over years, becoming images that could truly be watched, discussed, and remembered. Through this curation, we hope to look back at the long, often unseen distance each of these works traveled—from being pitched to being finished. That distance is, perhaps, the most honest and most difficult journey a documentary filmmaker undertakes.
As a child, Lunar New Year was filled with rituals that stretched on forever: visiting flower markets on the first day, returning to Mom’s hometown on the second, sleeping in without guilt on the third, welcoming deities and appeasing spirits on the fourth, and opening shop on the fifth in hopes of great fortune. Especially after years of turbulence, watching a festive film during the holidays has become both a small indulgence and a quiet affirmation that life still holds its rhythm. A moment to feel that flutter of the heart, or to follow one’s instincts without question— letting that sense of tradition, pure and timeless, softly settle in, like a long-lost lover returning, slowly making their way toward us…