Photographer
28 films
Karsh is History: Photographing Icons
Tokyo-Ga (Digitally Remastered) (Only available in Hong Kong)
Lee
The Asadas
A Private War
The Vietnam Action
I've Got a Little Problem
A Dog Under Bridge
Helmut Newton: The Bad and the Beautiful
In My Eyes
Minamata
Flight of the Red Balloon
破輪胎
The Most Beautiful Boy in the World
Face Taiwan: Power of Taiwan Cinema
Our Time Our Story: 20 Years' New Taiwan Cinema
Wim Wenders, Desperado
Whale Island
Finding Vivian Maier
Arakimentari
Spotlights
《獵風景的人》：邊界輪廓・身體與影像的疊合
《獵風景的人》透過來自東埔部落第一批高山嚮導伍勝美的兒子、曾任巡山員的伍榮富，以布農口白流敞陳鋪，道出一則人與空間的故事。布農語中沒有「歷史」「意義」等直接相對應的詞彙，只能由日語轉譯，卻如歌謠傳唱切片式地觸發了以局部去理解和追尋的思辯關係，並藉由影像、口述、登爬山岳回返歷史，開展出一條穿梭在當代和過去的辯證路徑。
音樂文字的舊日理想國——《滾石雜誌：搖滾不死》
《滾石雜誌》即是自小眾池裡養出的一尾鯉魚王，桀驁不馴。紀錄片《滾石雜誌：搖滾不死》（Rolling Stone: Stories From The Edge）可以被看成搖滾樂史的平行教材，讓你從平常觀察的孔洞反向窺探，告訴你許多記錄下的歷史時刻幕後秘辛，以及敘事者當時所求為何。
Remembering Agnès Varda
“I live by my own standards—not by men’s.” She was a director, a cinematographer, a poet, an installation artist, a key figure of the French New Wave. She was a woman. She filmed her muses, scavengers, drifters, distant uncles, lost lovers—and herself. She wandered through the Left Bank of Paris, strolled down Rue Daguerre, flew to San Francisco and Cuba, and eventually returned to the beach she loved most. She was Agnès Varda. This August, Giloo presents 14 handpicked works by Varda—black and white, color, documentary, fiction, film stock, and DV. Two years after her farewell, we invite you to once again meet her—at her sharpest, and her kindest.
該相信愛還是攝影？談《荒木經惟：愛的寫真術》
《荒木經惟：愛的寫真術》這部片呈現的是一個紐約導演鏡頭前的攝影家荒木經惟。這位長時間在大眾眼前荒誕不羈的情色攝影家，究竟會以什麼樣的面貌去面對別人的鏡頭？透過這部2000年左右的紀錄片，多少可以窺見多數人眼中的色老頭，如何一步一步把自己的生命交給攝影？以及這到底要對攝影有多強的執著跟熱情才可能做到？