Selections from Taipei Film Festival

A middle-aged man who was kicked out of his house sneaks home only to be attacked by a strong man named "Wing Qing" who shares his wife's name. Can he and his "family" survive this storm?

Visit each house with photos taken from the train. How are you doing this year? Do you still remember what you were doing at this moment last year?

The purpose of filming "The Nester" is to make the "pain" feel. When the "pain" is felt, you will know what "love" is - Shen Keshang

What trajectories of time are revealed by different faces in the flickering light? How can the story that is not told be revealed in the subtle expressions?

Educated people would think this place is hell, full of sin. But this kind of life is completely ordinary for the locals. —— Zhao Deyin

"Who knows, maybe there will be happy and happy days in the future." A lonely woman's marriage proposal, among dozens of equally lonely souls, who is her destined match?

「繆思不死，但有的無聊至死。」法國新浪潮祖母安妮華達，以鏡頭記下傳奇女星珍寶金的千面風貌。

安妮華達成名作，後現代女性主義經典片，法國新浪潮左岸派代表作之一。

「這是一個報導影片嗎？向誰致敬？還是論述？遺憾、責備，還是接觸？」安妮華達以鄰居角色，記錄、封存1975年達格雷街的風景。

"I've always been anxious to learn to ride a bicycle. I thought that after I learned it, I could go wherever I wanted. Now that I can ride, I don't know where I'm going." Four time stories of four directors, the first of Taiwan's new films do.

Hou Hsiao-hsien's most powerful autobiographical work uses his own childhood memories to depict the Taiwanese family anecdotes of an era.

"You're all going to hell!" "I firmly believe so, and I look forward to it fervently!" - The Satanic Temple