Even when she walks
"I love you, yet hate you!" Your countenance, your gestures, your radiance—like lightning and flint sparks—are a red balloon that drifts farther the more it is called, a mottled soul writhing in electric illusion, a silhouette branded into white snow, an evil flower blooming from rotting flesh, beautiful as a painted landscape. I have decided to pursue you through light and shadow, to discover what made you make that decision.
任俠，獨立電影工作者。第十一屆鮮浪潮國際短片節最佳導演、第二十三屆IFVA公開組金獎得主。2021年憑電影《少年》榮獲第58屆金馬影展奈派克獎及提名金馬獎最佳新導演、最佳剪輯。2024年紀錄短片《慧童》入圍第61屆金馬獎最佳紀錄短片。香港編劇權益聯盟（Equal Write Union Hong Kong）及「香港自由電影宣言」（2022）發起人。
11 films
Happy Hour I
Happy HourⅡ
Meat Days
Millennium Mambo (Only available in Taiwan)
Layover
Flight of the Red Balloon
Aftersun
The Hostess
My City
All the Crows in the World
The Florida Project
Popular
Those irreversible slices of life
Recently, in a novel I've come to love, I found myself grasping the weight of life's slices. In the story, there is a wicked sorcerer who freezes people in the instant just before tragedy strikes—suspending everything, sealing it into a crystal ball, and building an entire museum from these frozen moments. And isn't film, in its own way, just as cruel? As viewers, we are little more than instruments for collecting tissue slices—slipping into a character's world for a single fleeting moment, wandering through it in passing, only to return, in the blink of an eye, to the reality that is our own.