2010
Taipei Film Festival
百萬首獎｜最佳紀錄片｜最佳剪輯
百萬首獎｜最佳紀錄片｜最佳剪輯
最佳紀錄片提名｜年度台灣傑出電影提名
如果此刻，我們閉上眼睛——李屏賓《乘著光影旅行》 紀錄片一開始，光影明滅於紅色簾幕之後，人聲與腳蹤成為恍恍的影子。在《乘著光影旅行》裡，我們習以為常的日子，於是解構為光或更細碎的影子，風搖影動都有歌悠然其間。 李屏賓的攝影師身份，讓這部紀錄片的視角，成為後設的後設，頗有《去年在馬倫巴》的況味。而這也許正是李屏賓的詩意——或虛又實的敘事線，沿著時間匍匐前進，讓觀眾用想像自行銜接故事。而漫長的等待，只為一顆氣球的倒影或列車的交會，影子與影子疊映之間，更多的是生命沒有言明的故事。一如《花樣年華》，當暗巷的光指向一處港口或未實現的願，影子繼續未竟的旅行，愛與遺憾也會繼續。 《乘著光影旅行》雖是2009年的作品，卻涵蓋台灣新浪潮電影的足跡。從《策馬入林》、《童年往事》、《戀戀風塵》到《海上花》觥籌交錯的杯光，各自暗伏一些時代的故事。李屏賓自言花了十四年，由拘謹到自由而從心所欲，真正成為光影的放牧者。其間心緒當然無法盡數，特別當他在新疆拍攝電影，獲知得到國家文藝獎時，「無人誇耀，無人擁抱」的孤獨，再一次浮游於光，無悔地往時光那頭游去。只留給我們無盡蕩漾的水波餘韻。 如果此刻，我們心頭什麼輕微的震顫，是因為風的翅膀曾輕輕拂過。
4:03 （拍電影的）這個過程本身，成為一段看不見的歷史。
2:27 要拍一分鐘的電影，要用上很多個一分鐘。然而製造每個一分鐘的過程中，不知不覺投進的竟是我們的生命。 這就是電影的迷人之處。
The Taiwan Film Festival of Boston is dedicated to showcasing Taiwan’s diverse cultures and social landscapes through cinema while fostering meaningful exchange between Taiwanese filmmakers and North American audiences. Since 2011, the New Taipei City Documentary Film Award has supported documentary filmmaking and encouraged creators to engage with their times, capturing lived experiences and social realities through the moving image. Together, the two organizations present this virtual film festival, featuring outstanding works from past editions of the Taiwan Film Festival of Boston and the New Taipei City Documentary Film Award. By bringing Taiwanese stories of ecology, culture, identity, and coming of age beyond geographical boundaries, this collaboration invites audiences around the world to discover Taiwan through the lens of documentary filmmaking and engage in cross-cultural dialogue. Through the power of documentary cinema, the festival seeks to foster greater cross-cultural understanding, celebrate the creativity and vitality of Taiwan’s documentary tradition, and strengthen connections between New Taipei City, Taiwanese filmmakers, and international film communities. New Taipei City Documentary Award Section Title | Habitats of Life Envisioning a Sustainable Future Where People and the Environment Thrive Together From oceans and forests to where Indigenous communities and cities meet, life seeks ways to survive, grow, and belong. Where the Bees Belong, Hearing from the Dolphin, The Elimination, A Tayal, and Childhood In Between explore ecological conservation, wildlife conditions, cultural heritage, and identity, revealing complex relationships between people, nature, and society. As habitats shift and generations change, each story shows how life responds to environmental and social challenges while seeking new possibilities for coexistence. Echoing the United Nations Sustainable Development Goals (SDGs), this program invites audiences to reconsider habitat not only as a physical place, but also as an ecological, cultural, and emotional home—and to imagine a more diverse, inclusive, and sustainable future.
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